1st Edition
Digital Music Distribution The Sociology of Online Music Streams
DIGITAL MUSIC DISTRIBUTION: *
The sociology of online music streams *
Hendrik Storstein Spilker *
Table of contents *
Acknowledgements *
CHAPTER 1 *
Introduction: Digital Dramas *
Music On Demand? *
The Folding of Technologies *
Into and Beyond «The Piracy Wars» *
CHAPTER 2: *
Not only about listening: Understanding the new everyday life of music *
Perspectives on the Appropriation of Digital Music *
Analyzing youth *
The omnipresence and omni-interest in music *
Top ten music-related practices *
You can always get what you want? *
CHAPTER 3 *
The value of access: Negotiating file-sharing and streaming among youth and with parents *
Domesticating controversial technologies *
Piracy as morality and rebellion *
Digital music technologies as generational boundary markers and asymmetries *
Reflections on piracy and legality *
Together in crime? *
Music in context – negotiating other ICT’s *
An access culture? *
CHAPTER 4 *
In search of the "hacker-punk": Digital music technologies for countercultural measures? *
The promises of Punk Style Do-it-yourself *
The Quest for the Hacker Punk *
What is so Punk about Punk? *
The Digitalized Underground *
In Search of the Hacker Punk *
The Gap between Near and Bin(e)
Biography
Hendrik Storstein Spilker is associate professor in media sociology at the Institute for Sociology and Political Science at the Norwegian University of Science and Technology in Trondheim
