In this monograph, Chris Featherman adopts a discourse analytical approach to explore the ways in which social movement ideologies and identities are discursively constructed in new and old media. In the context of his argument, Featherman also considers current debates surrounding the role that technologies play in democracy-building and global activist networks. He engages these critical issues through a case study of the 2009 Iranian presidential election protests, looking at both US legacy media coverage of the protests as well as activists’ use of social media. Through qualitative analysis of a corpus of activists’ Twitter tweets and Flickr uploads, Featherman argues that activists’ social media discourses and protesters’ symbolic and tactical borrowing of global English contribute to micronarratives of globalization, while also calling into question master narratives about Iran commonly found in mainstream Western media accounts. This volume makes a timely contribution to discussions regarding the relationship between cyber-rhetoric and democracy, and provides new directions for researchers engaging with the influence of new media on globalized vernaculars of English.
1. Opening: Protesting the Results 2. 'Down with Potatoes!': Theory, Methods, Contexts 3. Constructing the Protestor's Identities in the U.S. Media 4. Borrowed Language: Symbolic Resources and Discursive Stance 5. Collective Action and Identifying across Networks 6. Effervescence or Resonance?: Closings
Routledge Critical Studies in Discourse publishes high quality original research monographs broadly in the area of critical discourse studies. It seeks theoretically innovative and empirically rigorous research that advances our critical understanding of the interrelations of discourse and social processes, including all aspects of power relations (such as maintenance and perpetuation of dominance; negotiations of power and resistance; as well as solidarity formations for group empowerment). The series supports interdisciplinary research, and welcomes investigations of new topics, domains, issues, frameworks and methods, as well as fresh perspectives on established ones, from a variety of international and cultural contexts. A broad understanding of "discourse" is adopted in the series to include systematic and explicit analyses of spoken/written language and other modes of semiosis (e.g. visual images, sounds, gestures and actions).