1st Edition

Drag, Interperformance, and the Trouble with Queerness

By Katie Horowitz Copyright 2020
136 Pages 7 B/W Illustrations
by Routledge

134 Pages 7 B/W Illustrations
by Routledge

134 Pages 7 B/W Illustrations
by Routledge

This story of drag kings and queens at Cleveland, Ohio’s most popular gay bar reveals that these genres have little in common and introduces interperformance , a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community. Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer... Read more

Introduction: "Radically Different Agendas"

Chapter One: Kinging

Chapter Two: Queening

Chapter Three: Gesturing Back: A Genealogy of Drag Genders

Chapter Four: Gesturing Forward: Drag Spaces and Solidarities

Conclusion: Is Drag Still Queer?

Biography

Katie Horowitz is Assistant Professor of Gender & Sexuality Studies and Writing at Davidson College, where she writes and teaches about intersectional queer, feminist, and transgender theories, body politics, and radical social movements. Her work has appeared in Signs, Porn Studies, and CrossCurrents.

What do drag queens and drag kings have in common? Not much, it turns out. In this fascinating ethnography of drag in a Cleveland bar, Katie Horowitz uses the difference to challenge the concept of queer and propose a new way of thinking about identity.

Leila J. Rupp, University of California, Santa Barbara, coauthor of Drag Queens at the 801 Cabaret