Dramaturgy of Form
Performing Verse in Contemporary Theatre
- Available for pre-order. Item will ship after March 1, 2021
Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context.
The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre.
Serving theatre-makers, scholars and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.
Table of Contents
Introduction; Chapter 1: Heteroglossia of Verse and Its Dramaturgical Potential; Chapter 2: Verse in Translation and Adaptation; Chapter 3: (No-longer) Ibsen’s "Language of the Gods": Verse and Marginalized Voices; Chapter 4: Verse and New Theatre Forms; Bibliography
Kasia Lech is Senior Lecturer in Performing Arts at Canterbury Christ Church University. Her research and creative practice explore theatre through practice-based and traditional scholarship and primarily focus on verse, multilingualism, translation, and transnational experience.
"Kasia Lech has written a subtle, substantial, alert analysis of the practice and power of verse in Contemporary Theatre. Her deep, wide, impressive scope of reference displays her command of relevant methodology, underlining the centrality of poetry in much of the most innovative drama now being created on world stages. Lech is most skilled and sensitive in deciphering linguistic games and guile stretching the art of playwriting to its furthest, breathtaking extremes. Her book is the work of an outstanding critic." – Frank McGuinness, Professor emeritus at University College Dublin
"Endorsement to come" - Peter M. Boenisch, Professor of Dramaturgy at Arts Aarhus Universitet