1. Drawing and Design in the Late Fourteenth-Century France: The Case for the Sculptor. Julia Watson. 2. Imitation, Invention or Good Business Sense? The Use of Drawings in a Group of Fifteenth-Century French Books of Horus, Susie Nash. 3. Training and Practice in the Early Renaissance Workshop: Observations on Benozzo Gozzoli’s Rotterdam Sketchbook, Francis Ames-Lewis. 4. Maso Finguerra and Early Florentine Printmaking, Lucy Whitaker. 5. Mantegna and Pullaiuolo: Artistic Personality and the Marketing of Invention, Alison Wright. 6. Luca Signorelli’s Studies of the Human Figure, Claire Van Cleave. 7. The ‘Deutsch’ and the ‘Welsch’ :Jorg Breau the Elder’s Sketch for the Story of Lucretia and the uses of Classicism in Sixteenth-Century Germany, Andrew Morrall. 8. Vasari, Prints and Imitation, Sharon Gregory. 9. Invenzione, Disegno e Fatica: Two Drawings by Giovambattista Naldini for an Altarpiece in Post-Tridentine Florance, Stuart Currie. 10. Drawings for Bartolomeo Passatotti’s Book of Anatomy, Monique Kornell. 11. Antonio Tempesta as Printmaker: Invention, Drawing and Technique , Michael Bury. 12. Early Modern Collecting in Northern Europe: Copied Drawings and Printed Prototypes, Tarnya Cooper.
Biography
Stuart Currie
