1st Edition

Dress and Identity in British Literary Culture, 1870-1914

By Rosy Aindow Copyright 2010
184 Pages
by Routledge

182 Pages
by Routledge

182 Pages
by Routledge

Rosy Aindow examines the way fiction registered and responded to the emergence of a modern fashion industry during the period 1870-1914. She traces the role played by dress in the formation of literary identities, with specific attention to the way that an engagement with fashionable clothing was understood to be a means of class emulation. The expansion of the fashion industry in the second half... Read more
Contents: Introduction; The function of dress in the novel; Development and innovation in the 19th-century fashion industry; Writing out frivolity; Fashion and the art of (class) deception; Needlewomen and shop girls in 19th-century fiction; Epilogue; Bibliography; Index.

Biography

Rosy Aindow is Tutor in the School of English at The University of Nottingham, UK

’Aindow has produced a fascinating, intelligently argued book, deploying literary and historical material with clarity and discrimination. It is an important contribution to a growing body of studies but also a reminder that we have not outgrown the problems she describes: the relationship between fashion and class is still being negotiated, albeit in different contexts.’ Costume

'Moving skilfully between discussions on fashion and individual identity and fashion and shifting social hierarchies, Aindow eloquently demonstrates how the late nineteenth- and early twentieth-century novel both contained and manipulated the alleged threat of sartorial democratisation within society.' English Historical Review

'... presents a solid analysis of fashion’s significance in late-Victorian and Edwardian literature, with a commendable methodological approach - rather than focusing on individual texts, her chapters are comparative - and an impressive archive of primary texts ranging from periodical essays to the novels of Arnold Bennett, Wilkie Collins, George Eliot, Elizabeth Gaskell, George Gissing, Thomas Hardy, George Moore, and Mary Ward.' Victorian Studies