1st Edition
Eastern European Music Industries and Policies after the Fall of Communism From State Control to Free Market
Part I: Introduction
1. Contextualising research on the Eastern European music industries
Patryk Galuszka
2. Creating a market economy in Eastern Europe: Economic reform as the central theme of the transition
Tomasz Legiedz
Part II: Russia
3. Piracy as an institutionalised social practice in Soviet and post-Soviet Russia
Marco Biasioli
4. ‘We have no music industry!’ Exploring the context of post-Soviet music making through the lens of contemporary Swedo-Russian collaborations
Ingrid M Tolstad
Part III: Central Europe
5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunification
Sven Kube
6. Collective management of copyright during communism and transition – A case study of the Society of Authors ZAiKS
Anna Pluszyńska
7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political circumstances over fifty years of the Polish music industry
Katarzyna Korzeniewska
8. Pohoda: the importance of Slovakia’s greatest festival
Peter Barrer
9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in Hungary
Emília Barna
Part IV: Southeast Europe
10. The Romanian music scene: The social economy of pop music in the post-socialist period
Elena Trifan
11. Come visit (our past) again: How municipalities encourage retro rock culture on the Bulgarian music scene
Gergana Rayzhekova
12. The Yugoslav and post Yugoslav alternative rock canon presented in the music press
Julijana Papazova
Biography
Patryk Galuszka is an associate professor in the Faculty of Economics and Sociology at the University of Lodz, Poland.
