1st Edition

Eastward Piano Practice, Culture, Recorded History

By Nikos Ordoulidis Copyright 2027
150 Pages 48 B/W Illustrations
by Routledge

150 Pages 48 B/W Illustrations
by Routledge

This book follows the piano through musical worlds typically overlooked in the instrument’s history. Grounded in practice-led research, it treats the piano as a mobile, adaptive resource rather than a fixed cultural artefact. By engaging with early commercial recordings from Eastern Europe, the Balkans, the Middle East, and North Africa, this book unsettles the rigid oppositions (East/West,... Read more

Chapter 1 | Introduction  Chapter 2 | Eastward Piano: The Project  Chapter 3 | Interlude on Modeness  Chapter 4 | The Piano Eastward: Early Recordings and Circuits of Practice  Chapter 5 | Rebetiko and Greek Laiko Song  Chapter 6 | The Laiko Piano  Chapter 7 | The Rebetiko Era Album  Chapter 8 | Detailed Presentation of the Pieces  Appendix | The Scores

Biography

Nikos Ordoulidis is a Cultural Musicologist and Lead in Digital Humanities at AltSol. With over a decade of teaching experience at the University of Ioannina and the TEI of Epirus, his research explores the intersections of music, ideologies, and politics across Eastern Europe, the Balkans, the Middle East, North Africa, and their diasporic networks in the United States. He is the author of Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music (2021) and has authored over 20 peer-reviewed publications. He serves on the Executive Boards of the Early Recordings Association and the Steering Committee of the IMS Study Group ‘Music and Politics: Past and Present’. His postdoctoral project, Eastward Heterotopias of the Piano, was co-funded by Greece and the European Union.