1st Edition
Ecocinema Theory and Practice 2
Introduction: Cut to green: tracking the growth of ecocinema studies
Stephen Rust, Salma Monani, and Seán Cubitt
PART I
Ecocinema Materialities
1. Unsustainable cinema: global supply chains
Seán Cubitt
2. Greening Mexican cinema
Carolyn Fornoff
3. Energy and exhaustion in a coal melodrama: Kaala Patthar (1979)
Debashree Mukherjee
4. The sustainable audiovisual industry in Catalonia seen through the Green Shooting initiative
Marta Lopera-Mármol & Manel Jiménez-Morales
PART II
Ecocinema Discourses
5. Extraction and wild cinema in Africa
Cajetan Iheka
6. Polytemporality in the slow ecocinema of Lav Diaz: an installation in a trauma field
Elio Garcia
7. Exploring SF ecocinema: gender, infrastructure, and US/China dynamics in Interstellar and The Wandering Earth
Andrew Hageman and Regina Kanyu Wang
8. Keaton’s chimera, or the comic assemblage of mountains
Christian Quendler
9. The matrix of ecomedia: fan worlds as environments
Anthony Lioi
PART III
Ecocinema Communities
10. Indigenous cosmologies and communities: the digital art of Johnathan Thunder and Missy Whiteman
Angelica Lawson
11. Of toxic dust and sad places: ecochronicity and debility in Julio Hernández Cordón’s Polvo (Dust, 2012)
Aarón Lacayo
12. Indigenous post-apocalyptic filmmaking at Standing Rock
Emily Roehl
13. Blurry streams: the pandemic film festival
Mila Zuo
14. Seeing locally, expressing globally: participatory filmmaking and aesthetics
Mariam Abazeri
Afterword: The sequel-effect
Jennifer Fay
Biography
Stephen Rust is a Senior Instructor of English at the University of Oregon. He is co-editor of Ecocinema Theory and Practice (2013) and Ecomedia: Key Issues (2016) and an advisory board member of Media+Environment and the Journal of Environmental Media. He has published several articles in the field and is currently writing an ecocritical analysis of Merchant Ivory Productions.
Salma Monani is a Professor at Gettysburg College’s Environmental Studies department. She has extensively published on explorations of Indigenous ecomedia, film, and environmental justice, and is co-editor of three ecocritical media anthologies. She is currently writing a monograph on Indigenous Ecocinema. As part of her college’s Land Acknowledgment Committee, her scholarship also engages the practice of digital, public eco-humanities along with community research with Indigenous partners.
Seán Cubitt is a Professor of Screen Studies at the University of Melbourne. His publications include The Cinema Effect (2004), Finite Media: Environmental Implications of Digital Technologies (2016), and Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image (2020). Co-editor of Ecomedia: Key Issues (2016), and series editor for Leonardo Books, he researches the history and philosophy of media, ecopolitical aesthetics, media arts and technologies, and media art history.
"Expanding the focus of the groundbreaking first volume and bringing together a diverse group of contributors, Ecocinema Theory and Practice 2 explores new practices, materialities, and discourses in emerging ecocinema communities. It is an indispensable resource for students and scholars of environmental film and filmmaking."
Alexa Weik von Mossner, Associate Professor of American Studies, University of Klagenfurt, Austria
"This wonderful sequel explores not only the toxicity of the petrofuelled ecocrisis but opens up to discuss broader changes in visual culture. The global – yet so skillfully situated – case studies offer much delight and insight to anyone interested in how moving images help to understand planetary change and justice."
Jussi Parikka, Professor in Digital Aesthetics and Culture, Aarhus University, Denmark and FAMU (Prague), Czech Republic
