Edward Said is widely recognized for his work as a critic and theorist of Orientalism and the Palestine crisis, but far less attention has been devoted to his considerable body of literary and cultural criticism. In this edited collection, the contributors - many among the foremost Said scholars in the world - examine Said as the literary critic; his relationship to other major contemporary thinkers (including Derrida, Ricoeur, Barthes and Bloom); and his involvement with major movements and concerns of his time (such as music, Feminism, New Humanism, and Marxism). Featuring freshly carved out essays on new areas of intervention, the volume is an indispensable addition for those interested in Edward Said and the many areas in which his legacy looms.
Foreword Benita Parry. Acknowledgments. Introduction. Section A 1. "A Roomy Place Full of Possibility": Said’s Orientalism and the Literary Nicholas Harrison 2. Edward Said and Roland Barthes: Criticism versus Essayism. Or: Roads and Meetings Missed Andy Stafford 3. Derrida and Said: Ships that Pass in the Night Caroline Rooney 4. Said .. Bloom …. Vico Graham Allen 5. The Materiality and Ideality of Text: Said and Ricoeur Karl Simms. Section B 6. "The Southern Question" and Said’s Geographical Critical Consciousness. Shaobo Xie 7. Fellow Travellers and Homeless Souls: Said’s Critical Marxism Ross Abbinnett 8. Edward Said and the Interplay of Music, History, and Ideology Derek B. Scott 9. Edward Said and (the Postcolonial Occlusion of) Gender Elleke Boehmer 10. Reading Orientalism in Istanbul: Edward Said and Orhan Pamuk Kate Teltscher 11. On Late Style: Edward Said’s Humanism Pal Ahluwalia. Section C 12. Autobiography and Exile: Edward Said’s Out of Place Linda Anderson 13. Edward Said, American International Policy and War on Terror Taieb Belghazi 14. Representations of the Intellectual: the Historian as ‘Outsider’ Ranjan Ghosh. Contributors. Index.