An Introduction to Elinor Glyn: Her Life and Legacy
Alexis Weedon
1. Elinor Glyn, Film History and Popular Culture: An Apologia
Annette Kuln
2. Elinor Glyn's British Talkies: Voice, Nationality and the Author On-Screen
Lisa Stead
3. The Reception of Elinor Glyn's Work in Spain (1926–57)
Caterina Riba & Carme Sanmartí
4. Sin and a Tiger Skin: The Stickiness of Elinor Glyn’s Three Weeks
Stacy Gillis
5. Fashion and Fantasy: Elinor Glyn’s Contribution to Hollywood’s Debate about Marriage
Nickianne Moody
6. The Special Relationship and the Allure of Transatlantic Travel in the Work of Elinor Glyn
Karen Randell & Alexis Weedon
Appendix. Három hét (Three Weeks) translated intertitles (némafilm, Márton Garas, 1917)
Orsolya Zsuppán
Biography
Karen Randell is Professor of Film Cultures and Visiting Fellow at the University of Bedfordshire, UK. Her publications include: The War Body on Screen (2008), Re-framing 9/11: Film, Popular Culture and The War on Terror (2010), The Dark Side of Love: From Euro-Horror to American Cinema (2011) and The Cinema of Terry Gilliam: It¹s a Mad World (2013). She has collaborated with Alexis Weedon on a number of research publications.
Alexis Weedon is Professor of Publishing Studies at the University of Bedfordshire, UK. Her publications include Victorian Publishing: The Economics of Book Production for a Mass Market (2003), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman (2014) and The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation (2021). Karen Randell and Alexis Weedon co-authored, Transforming Faces for the Screen: Horror and Romance in the 1920s (2023) on Lon Chaney and Elinor Glyn.
