1st Edition
Embodied Playwriting Improv and Acting Exercises for Writing and Devising
Part 1: Creating Characters
1. The Meet and Greet: Creating Opportunities for Surprise and Discovery
Charissa Menefee
2. Improvising Between the Lines: Enhancing the Script by Embodying Subtext
Amy Seham
3. Using Improv to Create Original Plays: Respectfully Writing Diverse Characters
Stephanie Rae
4. Character’s Search for Authenticity: Improvisation for the Revision Process
Muneeb ur Rehman
Part 2: Body and Mind
5. The Picture Project: Originating Story through Movement
Sarah Kozinn
6. Physical Expressions in Devised Playwriting
Luane Davis Haggerty and Aaron Kelstone
7. Active Group Playwriting: Psychodramatic Techniques Adapted for Playmaking
David Kaye
Part 3: Playing Games
8. Building the World of the Play Through Collaborative Performance
Mike Poblete
9. It’s All About Play: Locating the Game in Embodied Playwriting
John P. Bray
10. Folkgames as Creative Stimulus for Devising: The Case of Chaskele
Solomon Y. Dartey
Part 4: Changemaking
11. ‘Laughter that shatters’: Improv Techniques for Social Justice Comedy Playwriting
Elspeth Tilley
12. Writing for Change: Guiding Activist Playwrights in Classrooms and Communities
Dana Edell
13. Community-Based Play Creation
Hope McIntyre
14. Writing Climate Justice: Personal Storytelling and Source Material Devising as Embodied Methodology
Joan Lipkin and Kasey Lynch
Part 5: Curated Exercises
15. Embodied Playwriting Exercises for Classroom, Workshop, and Studio: Skill-Building and Content Generation
Edited and Curated by Hillary Haft Bucs and Charissa Menefee, Exercises by Alexis Lygoumenos, Gabrielle Sinclair Compton, Ramón Esquivel, Jeanne Leep, Wesley Broulik, Rachel Lynett, Dennis Schebetta, Steve Kaliski, Meredith Melville, Elizabeth Hess, and Tiffany Antone
16. Embodied Playwriting Exercises for Classroom, Workshop, and Studio: The Revision Process
Edited and Curated by Hillary Haft Bucs and Charissa Menefee, Exercises by Matt Fotis, Ramón Esquivel, Sage Tokach, and Tiffany Antone
Biography
Hillary Haft Bucs is a Professor of Theatre at Western New England University, where she teaches Playwriting, Acting, and Improvisational Comedy. With Valerie Clayman Pye, she co-edited Objectives, Obstacles, and Tactics in Practice: Perspectives on Activating the Actor (Routledge 2020).
Charissa Menefee is a playwright and poet, the Artistic Director of The EcoTheatre Lab, and a Professor of English and Theatre at Iowa State University, where she co-directs the MFA Program in Creative Writing & Environment.






