1st Edition

Embodiment, Expertise, and Ethics in Early Modern Europe Entangling the Senses

Edited By Marlene L. Eberhart, Jacob M. Baum Copyright 2021
    274 Pages 7 B/W Illustrations
    by Routledge

    274 Pages 7 B/W Illustrations
    by Routledge

    Embodiment, Expertise, and Ethics in Early Modern Europe highlights the agency and intentionality of individuals and groups in the making of sensory knowledge from approximately 1500 to 1700. Focused case studies show how artisans, poets, writers, and theologians responded creatively to their environments, filtering the cultural resources at their disposal through the lenses of their own more immediate experiences and concerns. The result was not a single, unified sensory culture, but rather an entangling of micro-cultural dynamics playing out across an archipelago of contexts that dotted the early modern European world—one that saw profound transitions in ways people used sensory knowledge to claim ethical, intellectual, and practical authority.

    Introduction: Entangled Senses—Putting Knowledge into Practice in Early Modern Europe

    Marlene L. Eberhart and Jacob M. Baum

    1. A Web of Sensation and the Performance of Memory: Dosso’s Lamenting Apollo

    Marlene L. Eberhart

    2. The Poet and the Ear: Aural Figurations in Sixteenth-Century French Poetry

    Corinne Noirot

    3. The Artist David Joris (1501-56): The Prophet of the Renewed Senses

    Gary K. Waite

    4. Abraham Scultetus and the God of Paste: Ritual Conflict and Sensuous Calvinism in the Second German Reformation

    Jacob M. Baum

    5. Shylock’s Senses: Entangled Phenomenologies of Difference on Early English Stages

    Holly Dugan

    6. Written on the Body: Selves, Communities, and the Sense of Pain in Early Modern England, 1600–1700

    Jan Frans van Dijkhuizen

    7. Blinding Lights and Sensory Others in Margaret Cavendish’s Blazing World

    Andrew Kettler

    8. "Rather back to Ceylon than to Swabia": Global Sensory Experiences of Swabian Artisans in the Service of the Dutch East India Company (VOC)

    Philip Hahn

    Afterword: A Roundtable Discussion—Volume Contributors explore several key issues, established and emerging, in sensory history

    Curated by Jacob M. Baum and Marlene L. Eberhart


    Marlene L. Eberhart is Professor of Music at Vanier College, where she teaches music history and aural skills. She is the author of several articles on aural-visual-tactile intersections in art, literature, and public space, and is co-editor, with Paul Yachnin, of Forms of Association: Making Publics in Early Modern Europe (2015).

    Jacob M. Baum is Associate Professor of History at Texas Tech University, where he researches and teaches later medieval and early modern European history. His first monograph, Reformation of the Senses, was published in 2019. His current research focuses on the history of deafness and disability in early modern Germany.