This book examines the emotions expressed in Hausa women’s prose fiction in northern Nigeria, showing how Hausa Muslim women writers use fiction in their indigenous language to demonstrate and express their anger about the problems they face in a patriarchal society.
Umma Aliyu Musa shows how Hausa women authors use literature as a subversive instrument to voice their anger and draw attention to their plight, and what they perceive to be unfair traditional authority in a male-dominated society. Their stories about women protagonists who rebel against existing traditional structures enable women readers to understand the anger experienced by other women who have gone through similar situations. Issues at the heart of these women's narratives include forced marriage, polygyny, family honor and the effects of love. The authors' use of metaphorical expressions of anger, particularly those registered through body parts, provides insight into Hausa women's thoughts, culture and socialization within their private spheres. Thus, writing by these women in the Hausa language creates an effective communication network that offers insight into domestic ecology as it affects women.
Emotions in Muslim Hausa Women's Fiction will be of interest to scholars and students of African literature, postcolonial literature, gender studies in African society, womanism, emotions and indigenous African fiction studies.
1. Statement of the problem: Introduction
2. The Development of Hausa Female Fiction Writing in Northern Nigeria
4. Strategies for Respect
5. Body Related Metaphors for Anger in Hausa
6. Love, Hausa Narratives and Modernity
This series will produce new scholarship on African experiences within the field of global history, globalization, African Diaspora, Atlantic History, etc. It is our goal to publish works that view African ideas from a global perspective and vice versa, thus placing Africa squarely within the framework of globalization, and change the perception of African people vis-a-vis the world, creating an innovative source of new works about Africa and the world.
This new series will serve several important functions. First and foremost, it will create a space for scholars and educators to find resources that aid in the understanding of Africa’s place in the world’s global and regional economic political and intellectual spheres throughout history. Second, our monographs will incorporate African experiences into broader historical theories that have hitherto marginalized Africans within the realm of global history. We aim to provide competing views of Africa’s place in various global systems can be studied in a systemic fashion without resorting to pseudo-historical themes that ultimately harm our understanding of the African past.
Most importantly, we will take up the mantle of African production of knowledge on a global scale, and emphasize how Africans, who have long been marginalized in global intellectual traditions, have shaped the very civilizations that shunned the former’s contributions. The resulting marginalization has resulted in many of the ills that African peoples face today. By redeeming the African place in the global intellectual tradition, we will also help emphasize the African political and economic past in ways that place the continent front and center in the creation of the world we all inhabit. As a result, it will form an innovative platform where scholars put forward new ideas regarding Africa’s role in world affairs that have long been overlooked and underemphasized.
For submissions and enquiries, please contact:
Toyin Falola: [email protected]
Roy Doron: [email protected]
Leanne Hinves: [email protected]