1st Edition

Envisioning Collaboration Group Verbal-visual Composing in a System of Creativity

By Geoffrey Cross, Charles Sides Copyright 2011
218 Pages
by Routledge

218 Pages
by Routledge

The dissemination of desktop publishing and web authoring software has allowed nearly everyone in industrialized countries to combine verbal and visual symbols into text. Serious multimodal projects often demand extensive teamwork, especially in the workplace. But how can collaboration engaging such different traditions of expression be conducted effectively? To address this question, Envisioning... Read more

Acknowledgments

CHAPTER 1: Introductory Framework and Overview
 Conceptual Framing
 Contextual Framing
 Overview of the Study and Completion of the Framework

CHAPTER 2: Ping-Pong, Part I: Collaborative Brainstorming of an “Insight-Intensive” Team
 First Ad Concepting Session 2/14: Forming a Mental Picture
 Summary of Artist-Writer Brainstorming

CHAPTER 3: Ping-Pong, Part II: Development, Elaboration, and Evaluation of Concepts by an “Insight-Intensive” Team
 Neil’s Composing Lines 2/14
 February 15 Evaluation of Lines Meeting: Customer Supplants Client
 Merging Pictures and Words: 2/16-2/22
 Evolution of a Good Idea: The “Lawns are Our Life” Campaign
 Tip-Ball Evaluative Meeting 2/22/02: “I’m Sure We’ll See a Lawnmower in Here Real Soon”
Second Tip-Ball Meeting 2/27/02: “Romance the Product”
3/6 Tip-Ball Meeting: The End of the Lines and a New Assignment
 Case Conclusion

CHAPTER 4: “We Had One Idea That We Liked a Lot”: The Invention of a Preparation- and Evaluation-Intensive Team
 The Copywriter
 The Artist
 Overview of Composing Processes
 Preparation and Preliminary Ideas
 Brainstorming Session

CHAPTER 5: Less Divergence than Convergence: Analysis of a Preparation- and Evaluation-Intensive Team’s Invention and the End of the Hunt
 Summary of Artist-Writer Brainstorming
 Concept Development and Tip-Ball, 2/15-22
 2/22-27 Tightening Up
 Verbal-Visual Cognition: Assimilation and Accommodation in the Dyadic Mind

CHAPTER 6: Collaboration Envisioned
 Initial Verbal-Visual Invention Predominantly Concerned with Visual
 Rhetorical Elements in Verbal-Visual Composing
 Comparison of Sequences of Invention of Artist-Writer Teams
 Comparison of Collaboration Styles: Assertive vs. Supportive
 Dyadic Self-Evaluation
 The Pause That Refreshes and Other Varieties: Comparison of Pauses in Dyadic Composing Processes
 Dyad’s Conflict Management beyond Dismissal Pauses
 Efficient Principles of Concept Invention: Verbal-Visual Topoi
 Audience Analysis by Dyads, Artists, and Writers
 Mindfulness in the Collaborative Efforts
 Dyadic vs. Large-Group Productivity
 Contribution of the Study to Existing Models of Verbal-Visual Collaboration
 The Roles of Concepts and Layout in Group Assimilation and Accommodation
 Questions for Further Research
 Recommendations for the Practice, Training, and Teaching of Verbal-Visual Collaboration

 Appendix: Methods
 Data Gathering
 Data Analysis
 Mode of Representation
 Locating the Ethnographer
 Works Cited

 Author-Subject Index

 List of Figures

 List of Tables

Biography

Geoffrey Cross, Charles Sides