The book attends to a historical question — how to account for the high numbers of renouncers (sadhvis) mentioned in medieval and ancient texts — which has been acknowledged and raised, but left unaddressed within Jain studies. It does so through ethnographic data gathered through extensive fieldwork among the sadhvis in Delhi and Jaipur.
The volume foregrounds the primacy of ‘choice’ and ‘agency’— upheld by the nuns themselves, who associate asceticism with autonomy, freedom, joy, spiritual well-being, self-worth and peace, and grihastha (household) with loss of independence, fettered existence, degradation, burdensome familial obligations and social responsibilities. It also examines whether it may be apt to term Jain nuns as practitioners of an ‘indigenous mode of feminism’. The book challenges the existing sociological theories of renunciation and tests the feminist concepts of agency and autonomy by investigating the culturally coded roles ascribed to women in Jainism, which are variegated, and examines how a fractured discourse and reality is resolved in the subjectivities and identities of female ascetics. The very legitimacy of the institution of female asceticism, and the way in which the society (samaj) upholds and sustains it, renders female asceticism into a socially approved alternative institution — albeit one that allows Jain nuns to create spaces of relative and autonomy and even prestige for themselves.
This series brings together research on South Asia in the humanities and social sciences, and provides scholars with a platform covering, but not restricted to, their particular fields of interest and specialisation.
A significant concern for the series is to focus across the whole of the region known as South Asia, and not simply on India, as is often the case. There will be a conscious attempt to publish regional studies and bring together scholarship on and from Pakistan, Bangladesh, Sri Lanka, Nepal and other parts of South Asia.
This series will consciously initiate synergy between research from within academia and that from outside the formal academy. A focus will be to bring into the mainstream more recently developed disciplines in South Asian studies which have till date remained in the nature of specialised fields: for instance, research on film, media, photography, sport, medicine, environment, to mention a few. The series will address this gap and generate more comprehensive knowledge fields.