1st Edition
Experiencing Music and Visual Cultures Threshold, Intermediality, Synchresis
Setting the Scene
2 -Synch: Scenes of Implication
ALESSANDRA CAMPANA
3 - Armida In-Between. The Translation of the Affetti.
GIOVANNI CARERI
Voice as Presence and Absence
4 - La Voix humaine (1959-2016) and the "Epiphany" of the Performer’s Identity
FRANCESCA PLACANICA
5 - Puppets that Sing or Scenery that Breathes: Phelim McDermott’s Satyagraha
HAYLEY FENN
6 - Manipulating (Public) Images in the Contemporary Music Documentary
JENNIFER O’MEARA
7 - A New Carmen for a Renewed Spain: Nationalism and Cinema during the Spanish Civil War
LAURA MIRANDA
Beyond Borders
8 - "Uber Opera": The Politics of Site-Specific Mobile Opera in Los Angeles
MONICA CHIEFFO
9 - Quel trouble me saisit? The Arrested Gaze of Armide in Poussin, Quinault and Lully
MICHAEL LEE
10 - Music in Cuban Revolutionary Cinema: Musical Experimentation in the Service of Revolutionary Ideology
MARYSOL QUEVEDO
11 - Ken Russell’s Mahler: A Musical Phantasmagoria
PASCAL VANDELANOITTE
12 - There’s Meth in the Madness: Music and Incongruence in AMC’s Breaking Bad
JESSICA SHINE
From Silence to Sound and Back
13 - Music, Painting, Cosmos, Chaos: Flaying and Playing in Titian and Ribera
ITAY SAPIR
14 - Armonia: Seeing and Hearing in Veronese’s Le nozze di Cana
ANTONIO CASCELLI
15 - Listening to Space in Time
SUSANNA PASTICCI
16 - The Allowable Voices of Silent Opera Films in 1910s Ireland
DENIS CONDON
Biography
Antonio Cascelli is Lecturer in Music at Maynooth University, Ireland.
Denis Condon is Lecturer in Film at Maynooth University, Ireland.
