Experimental Animation: From Analogue to Digital, 1st Edition (Paperback) book cover

Experimental Animation

From Analogue to Digital, 1st Edition

Edited by Miriam Harris, Lilly Husbands, Paul Taberham

Routledge

272 pages

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Description

Experimental Animation: From Analogue to Digital, focuses on both experimental animation’s deep roots in the twentieth century, and its current position in the twenty-first century media landscape.

Each chapter incorporates a variety of theoretical lenses, including historical, materialist, phenomenological, and scientific perspectives. Acknowledging that process is a fundamental operation underlining experimental practice, the book includes not only chapters by international academics, but also interviews with well-known experimental animation practitioners such as William Kentridge, Jodie Mack, Larry Cuba, Martha Colburn, and Max Hattler. These interviews document both their creative process and thoughts about experimental animation’s ontology to give readers insight into contemporary practice.

Global in its scope, the book features and discusses lesser known practitioners and unique case studies, offering both undergraduate and graduate students a collection of valuable contributions to film and animation studies.

Table of Contents

Foreword by Janeann Dill

Acknowledgements

List of Contributors

Introduction by Miriam Harris, Lilly Husbands and Paul Taberham

Definitions, Histories and Legacies

  1. Paul Taberham – It is Alive if You Are: Defining Experimental Animation
  2. Aimee Mollaghan - A Consideration of the Absolute in Visual Music Animation
  3. Michael Betancourt – Experimental Animation and Motion Graphics
  4. A1 Georges Schwizgebel

    A2 Rose Bond

    A3 William Kentridge

    A4 Robert Sowa

    From Analogue to Digital

  5. Dan and Lienors Torre - Materiality, Experimental Process and Animated Identity
  6. Tess Takahashi – "Meticulously, Recklessly, Worked Upon": Direct Animation, the Auratic and the Index
  7. Miriam Harris – The Expressive Power of Experimental Digital Animation
  8. Birgitta Hosea - Beyond a Digital Écriture Féminine: Cyberfeminism and Experimental Computer Animation
  9. B1 Jodie Mack

    B2 Maya Yonesho

    B3 Larry Cuba

    B4 Max Hattler

    Close Analysis of Individual Artists

  10. Lilly Husbands - A Hermeneutic of Polyvalence: Deciphering Narrative in Lewis Klahr’s The Pettifogger (2011)
  11. Steve Reinke - How to be Human: The Animations of Jim Trainor
  12. C1 Martha Colburn

    C2 Masha Krasnova-Shabaeva

    C3 Diego Akel

    Science and the Cosmos

  13. Janine Randerson - Animating the Cosmological Horizon: Between Art and Science
  14. Aylish Wood – Where do Shapes Come From?
  15. Sean Cubitt - NASA's Voyager Fly-by Animations

D1 Tianran Duan

D2 David Theobald

D3 Gregory Bennett

About the Editors

Miriam Harris is a lecturer, scholar, and an experimental animation practitioner. She completed Post-Graduate study in Digital Animation and Visual Effects at Sheridan College, Toronto, and her experimental animated films have won awards at international film and animation festivals. Her research has explored the amalgamation of text and image in animation and graphic novels, and issues surrounding memory, narrative, and perception, with essays published in the books Animated Worlds (2007), The Jewish Graphic Novel: Critical Approaches (2008), and 24 Czech and Polish Animators (2011). She is on the editorial board of the animation journal Animation Practice, Process, & Production, edited by Paul Wells.

Lilly Husbands is a lecturer and scholar whose research is broadly concerned with the legacy and evolution of experimental animation in the increasingly complex socio-political and cultural contexts of contemporary multimedia practice. She has published numerous book chapters and articles on experimental animation in journals such as Moving Image Review & Art Journal (MIRAJ), Frames Cinema Journal, and Alphaville: Journal of Film and Screen Media. She is an associate editor of Animation: An Interdisciplinary Journal. She teaches at the Royal College of Art, Central Saint Martins, London College of Communication and Middlesex University.

Paul Taberham is a lecturer and scholar who has published on topics such as film cognition, evolutionary theories of art, avant-garde film and animation, film sound and aesthetics. He is the co-editor of Cognitive Media Theory (2014) and author of Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist (2018). In addition, he has spoken internationally at conferences and published articles for several edited collections and journals including Projections: The Journal for Movies and Mind and Animation Journal. He is a fellow of The Society for Cognitive Studies of the Moving Image.

Subject Categories

BISAC Subject Codes/Headings:
SOC052000
SOCIAL SCIENCE / Media Studies