1st Edition

Experiments in Immersive, One-to-One Performance Understanding Audience Experience through Sensory Engagement

By Natalia Esling Copyright 2025
    184 Pages 6 B/W Illustrations
    by Routledge

    This book investigates audience experience through the lens of sensory engagement in immersive, one-to-one performance.  

    It presents a distinct, practice-based research (PBR) framework—a performance research ‘laboratory’—designed to evaluate the effects on diverse audience experiences of two ‘sense-specific manipulations’: eye masks and touch. Through a qualitative analysis of responses from 74 individual audience participants, this book offers insight into how these popular ‘immersing’ strategies might be experienced. What do these strategies achieve? How do audience participants make sense of them? Do audience responses align with artistic intentions? And how does the PBR framework designed to address these questions influence the outcomes? Through an analysis of three sets of one-to-one performance experiments generating comparative data about the experience of sense-specific manipulation, this book proposes the utility of merging methodologies in artistic research with empirical audience research in theatre and performance studies.  

    This study offers a new perspective on the value of sensory-focused, immersive, one-to-one experience as a means of re-sensitizing audience participants through performance. 

    List of Figures

    Acknowledgements

     

     

    Preface

    A note on how to read this book

     

     

    PART I: Theorizing, Framing, Practicing

     

    Chapter 1: Setting the Stage

     

    Chapter 2: Sensitizing Audience Participants (Performance Case Studies)

     

    Chapter 3: Conceptualizing (the) Dramaturgical Research(er)

     

    PART II: Measuring and Evaluating ‘Audience Experience’

     

    Chapter 5: Understanding the impact of eye masks

     

    Chapter 6: Understanding the impact of touch

     

    Conclusion

     

    Index

    Biography

    Natalia Esling is an independent scholar who has done postdoctoral research in Theatre Studies at the University of British Columbia.