1st Edition
Federico Barocci Inspiration and Innovation in Early Modern Italy
Edited By Judith W. Mann
Copyright 2018
242 Pages
30 Color & 113 B/W Illustrations
by
Routledge
242 Pages
30 Color & 113 B/W Illustrations
by
Routledge
242 Pages
30 Color & 113 B/W Illustrations
by
Routledge
Also available as eBook on:
Reviewers of a recent exhibition termed Federico Barocci (ca. 1533–1612), 'the greatest artist you’ve never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci’s... Read more
Table of contents:
- Introduction: New Insights into Barocci’s Senigallia Entombment and Suggestions on his Late Workshop Practice
- From Altar to Hearth: Barocci and the Brancaleoni of Piobbico
- Just what is it that makes Barocci’s painting so different, so appealing?
- Federico Barocci and the Artistic Legacy of his Homeland
- Federico Barocci and the Corpus of High Renaissance Art
- "Though this be madness, yet there is method in it:" Barocci’s Design Process
- Drawing the Virgin: Federico Barocci’s Doctrine of the Virgin Mary
- "God Knows When He’ll Finish": Barocci and the Art Market
- The Tip of the Iceberg: Barocci’s Post Mortem Inventory and the Survival of Renaissance Drawings
Babette Bohn and Judith Mann
Carol Plazzotta
Claudio Pizzorusso
Alessandra Giannotti
Stuart Lingo
Babette Bohn
Judith W. Mann
Richard E. Spear
David Eckserdjian
Biography
Judith W. Mann is Curator of European Art to 1800 at the Saint Louis Art Museum, USA.
