1 Not White, Not Male and Not New York: Race, Feminism and Artists in Pittsburgh
Hilary Robinson
2 Activist Intension: Mona Hatoum and Morehshin Allahyari’s Disruptive Bodies
Astrid N. Korporaal
3 Activating Agential Collective: Anna Baumgart’s Table Talks—Her-Stories, Solidarity and Feminist Corporeal-Materialism
Basia Sliwinska
4 The Absent Image: Resisting the Erosion of Public Trust in Syrian Activists’ Evidential Visuality
Mario Hamad
5 Bodies, Sovereignties, Futurities: On Adelita Husni-Bey’s Practice
Anastasia Murney
6 Domestic Fronts: Arrangements for Feminist Living, or Survival Is Not a Metaphor
Alexandra Kokoli
7 A Care-Full Re-Membering of Australian Settler Colonial Homemaking Traditions
Sera Waters
8 Folding Chair for the Feminist Resistance: Activating Feral Materiality
Paula Chambers
9 When Theodorah Met Dolly: Gender and Visual Activism in Works by Senzeni Marasela
Brenda Schmahmann
10 Be-Longing: Filipina Women Artists in Israel Negotiating Self, Body and Place
Tal Dekel
11 Women to the Front: Women’s Participation and Visual Activism in Hong Kong’s Protest Movement 2019
Evelyn Kwok
12 !Madres!: Reconfiguring ‘Abducted Motherhood’ in Mónica Mayer’s Personal and Collective Artwork
Karen Cordero Reiman
13 Corpo-Affective Politics of Anxious Breathing: On the Agential Force of Bodies and Affects in Vulnerable Protest
Magdalena Górska
14 The Revolutionist: Gendered Violence, Black Radical Feminism and the Decolonial Creative Revolution
Nomusa Makhubu
15 Fragmented Traces. . . The Tactile Feminist Un-Monuments of Sheila Levrant de Bretteville
Caroline Wallace
Biography
Basia Sliwinska is Senior Lecturer in Cultural and Historical Studies at the University of the Arts London. She is a member of the Comittee on Women in the Arts of the College of Art Association and the Steering Group for the PARADOX Fine Art European Forum.
"This volume is a powerful articulation of what feminist visual activism can and does achieve as a global force. It has spaces, gaps, and occlusions. This is not a problem or a weakness; rather this is the truthfulness and care that Sliwinska and her co-producers assert for this field of research and understanding."
--Woman's Art Journal
