1st Edition

Figures of the Imagination Fiction and Song in Britain, 1790–1850

By Roger Hansford Copyright 2017
318 Pages 45 B/W Illustrations
by Routledge

318 Pages 45 B/W Illustrations
by Routledge

318 Pages 45 B/W Illustrations
by Routledge

This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated... Read more

Introduction: Music and Romance in the Early Nineteenth Century

1 ‘Raise the Song and Strike the Harp’: Minstrelsy, Balladeering, and Romance Fiction, 1790–1830

2 ‘This Horrible Stave They Howl’: The Supernatural in Fiction and Song, 1790–1830

3 ‘Angels Round thy Throne are Hymning’: Christian Virtue in Fiction and Song, 1790–1830

4 ‘Her Voice is Hovering o’er my Soul’: Siren Singers and Received Intersections in Fiction and Song, 1830–1850

Conclusion: Figures of the Imagination: the Intersection of Fiction and Song, 1790–1850

Biography

Roger Hansford holds a PhD in Musicology from the University of Southampton. He has taught on university music history courses and delivered research papers at conferences throughout the UK. His current research interests revolve around nineteenth-century romanticism, particularly music in nineteenth-century Britain and its cultural contexts.