1st Edition

Film, Comedy, and Disability Understanding Humour and Genre in Cinematic Constructions of Impairment and Disability

By Alison Wilde Copyright 2019
204 Pages
by Routledge

204 Pages
by Routledge

204 Pages
by Routledge

Comedy and humour have frequently played a key role in disabled people’s lives, for better or for worse. Comedy has also played a crucial part in constructing cultural representations of disability and impairments, contributing to the formation and maintenance of cultural attitudes towards disabled people, and potentially shaping disabled people’s images of themselves. As a complex and often... Read more

Acknowledgments; Chapter 1: Introduction; Chapter 2: Comedy and Disability; Chapter 3: Contemporary Comedy: Subjectivity, Genre, and Impairment; Chapter 4: Romantic Comedy and Disability; Chapter 5: Romantic Comedy Meets Satire: Yorgos Lanthimos’ The Lobster; Chapter 6: The Gross-Out Genre, the Farrelly Brothers, and Disability: Mapping Representational Change; Chapter 7: Conclusion, or When is an Ending not an Ending?; Bibliography; Index

Biography

Alison Wilde is Senior Lecturer at Leeds Beckett University. Alison has written mainly on topics of screen media, disability, gender, and audiences, in addition to researching and publishing on disability and educational inclusion, parenting, gender, social care, and health care. She co-founded the MeCCSA Disability Studies Network, and the BSA's Disability Studies group.