1st Edition

Film, Media and Representation in Postcolonial South Asia Beyond Partition

Edited By Nukhbah Taj Langah, Roshni Sengupta Copyright 2022
242 Pages 35 B/W Illustrations
by Routledge India

242 Pages 35 B/W Illustrations
by Routledge India

242 Pages 35 B/W Illustrations
by Routledge India

This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power,... Read more

Foreword by Anjali Gera Roy

Preface by Claire Pamment

Acknowledgments

    

Introduction — Moving beyond Partitions: Theorising the Academic Dialogue

Nukhbah Taj Langah and Roshni Sengupta

           

Part I. Soft Power: Performance, Film and Television

 

1.         Trouble in Paradise: The Portrayal of the Kashmir Insurgency in Hindi Cinema

Julia Szivak

2.         The Vale of Desire: Framing Kashmir in Vishal Bhardwaj’s Haider

Nishat Haider

3.         Finding Comfort in Silence? The Absence of Partition Narratives from the Contemporary Group Theatre in Kolkata

Arnab Banerji

4.         The Rise of the Celebrity Anchor in Pakistan’s Private TV: The One Voice that Kills Other Voices

Altaf Ullah Khan

 

 

Part II. Art and Visual Culture

 

5.         Discourses on Partition through Visual Culture

Kamayani Kumar

6.         Post-71: Photographic Ambivalences, Archives, and the Construction of a National Identity of Bangladesh

Nubras Samayeen

7.         Speaking Soon after Catastrophe: The Partition Art of Satish Gujral and S. L. Parasher as Record, Testimony, Trauma

Shruti Parthasarathy

 

 

Part III.  Cyber Space, Social Media, and Digital Texts

 

8.         Politicising the Body of the ‘Other’: India’s Gaze at Pakistan

Debanjana Nayek

9.         Keyboard Nations: Cyberhate and Partition Anxiety on Social Media

Suryansu Guha

10.       Pakistani Literary Digitalisation: “Mediascaping” Mohsin Hamid’s “The (Former) General in his Labyrinth”

Waseem Anwar

           

Conclusion — Reflections: Building Bridges

Nukhbah Taj Langah and Roshni Sengupta

 

Index


 

Biography

Nukhbah Taj Langah is Associate Professor of English at Forman Christian College University, Lahore, Pakistan.

Roshni Sengupta is Assistant Professor at the Institute of Middle and Far East, Jagiellonian University, Kraków, Poland.

'An important and politically timely volume on the two partitions that brings together leading scholars in the fields of media and cultural production. It is fuelled by a shared aspiration, which is to challenge the binaries of history and construct a more open and vibrant mediascape in South Asia.'

Nira Wickramasinghe, Professor of Modern South Asian Studies, Leiden University, Netherlands

 

'Two partitions, bloodbaths, and migrations define toxic nationalisms in South Asia. As a region still struggling with decolonisation, it is imperative that the religious and militaristic constructs of national identity be challenged through discourses that have been excluded from the mainstream and suppressed by coercive states. This volume is seminal in many ways as it aims to foster dialogue among scholars and practitioners. It is a valuable reference for students, thinkers, and publics within and beyond South Asia.'

Raza Rumi, Director, Park Center for Independent Media, Ithaca College, USA, and Editor-in-chief, Nayadaur Media