1st Edition

Film, Philosophy, and Reality Ancient Greece to Godard

By Nathan Andersen Copyright 2019
    214 Pages 14 B/W Illustrations
    by Routledge

    214 Pages 14 B/W Illustrations
    by Routledge

    Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy.

    The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard’s groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically.

    The book addresses topics such as: 

    • Film: what it is and how to understand it
    • The methods and concerns of philosophy
    • The nature of cinematic appearances
    • The history of metaphysics
    • The relationship between cinema and life
    • The philosophical relevance of film techniques.

    With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy.





    Part One: Philosophy and film

    Chapter 1. What is philosophy?

    Philosophical questions

    Philosophy, myth, and religion

    The ancient quarrel

    Why and how to do philosophy

    Film’s philosophical affinities

    Chapter 2. What is film?

    Film industry

    Film production

    The audience

    Formal analysis

    Genre, story, and representation

    Part Two: Appearance and reality

    Chapter 3. The appearance of reality — Arrival of the Train

    Film theories and philosophy

    Mistaking film for reality

    The nature and variety of appearances

    The reality of cinematic appearances

    Cinema and reality

    Human reality and appearances

    Chapter 4. The philosophy of appearance

    A history of metaphysics: from substances to subjects

    The metaphysics of appearance

    Film and metaphysics

    Part Three: Breathless metaphysics


    Chapter 5. Cinema and reality

    Continuity and rupture

    Cinema and reality

    Screening subjectivity, intersubjectivity, and objectivity

    Chapter 6. Film techniques and philosophy

    Metaphysics and the jump cut

    Morality in a tracking shot

    Last breath: authenticity and death


    Suggested films

    Suggested readings



    Nathan Andersen teaches philosophy and film studies at Eckerd College in Saint Petersburg, Florida, USA. He programs an award-winning cinema series and is the co-director of the "Visions of Nature/Voices of Nature," Environmental Film Festival. He is the author of Shadow Philosophy: Plato’s Cave and Cinema (2014, Routledge), and has published on the history of philosophy, environmental philosophy, and film.

    "Striking an excellent balance between complexity and clarity, this book accomplishes something badly needed in the field, combining philosophical background with the basics of film analysis to elucidate how philosophy might inform our understanding of moving-image texts. Its excellent prose style, engaging authorial tone, and impressive ability to make complex concepts accessible, makes this an excellent and significant book for film-philosophy readers from any background."

    Hunter Vaughan, Oakland University, USA

    "Nathan Andersen’s Film, Philosophy, and Reality is a wonderfully engaging historical introduction to philosophy and film theory. Focusing on the relationship between appearance and reality, he elaborates the philosophical kinship between thought and image with skill and insight. His exploration of Godard’s Breathless from metaphysical and existential perspectives is excellent."

    Robert Sinnerbrink, Macquarie University, Australia