1st Edition
Film, Philosophy, and Reality Ancient Greece to Godard
Contents
Acknowledgements
Preface
Introduction
Part One: Philosophy and film
Chapter 1. What is philosophy?
Philosophical questions
Philosophy, myth, and religion
The ancient quarrel
Why and how to do philosophy
Film’s philosophical affinities
Chapter 2. What is film?
Film industry
Film production
The audience
Formal analysis
Genre, story, and representation
Part Two: Appearance and reality
Chapter 3. The appearance of reality — Arrival of the Train
Film theories and philosophy
Mistaking film for reality
The nature and variety of appearances
The reality of cinematic appearances
Cinema and reality
Human reality and appearances
Chapter 4. The philosophy of appearance
A history of metaphysics: from substances to subjects
The metaphysics of appearance
Film and metaphysics
Part Three: Breathless metaphysics
Introduction
Chapter 5. Cinema and reality
Continuity and rupture
Cinema and reality
Screening subjectivity, intersubjectivity, and objectivity
Chapter 6. Film techniques and philosophy
Metaphysics and the jump cut
Morality in a tracking shot
Last breath: authenticity and death
Conclusion
Suggested films
Suggested readings
Glossary
Biography
Nathan Andersen teaches philosophy and film studies at Eckerd College in Saint Petersburg, Florida, USA. He programs an award-winning cinema series and is the co-director of the "Visions of Nature/Voices of Nature," Environmental Film Festival. He is the author of Shadow Philosophy: Plato’s Cave and Cinema (2014, Routledge), and has published on the history of philosophy, environmental philosophy, and film.
"Striking an excellent balance between complexity and clarity, this book accomplishes something badly needed in the field, combining philosophical background with the basics of film analysis to elucidate how philosophy might inform our understanding of moving-image texts. Its excellent prose style, engaging authorial tone, and impressive ability to make complex concepts accessible, makes this an excellent and significant book for film-philosophy readers from any background."
Hunter Vaughan, Oakland University, USA
"Nathan Andersen’s Film, Philosophy, and Reality is a wonderfully engaging historical introduction to philosophy and film theory. Focusing on the relationship between appearance and reality, he elaborates the philosophical kinship between thought and image with skill and insight. His exploration of Godard’s Breathless from metaphysical and existential perspectives is excellent."
Robert Sinnerbrink, Macquarie University, Australia
