Film Philosophy at the Margins

Film Philosophy at the Margins

Series Editor:

Film Philosophy at the Margins picks up on the burgeoning field of ‘film philosophy’ - the shift from film analysis and explication to bringing together film with philosophy - and coalesces it with films, genres and spectator theory which have received little critical attention. These films could be defined as marginal due to containing marginalizing representations of violence and marginal invocations of sexuality and queer performativity, showing the margins of bodily modification from disability to performance art, being marginal in their abstraction of representative codes or in reference to their address to the politics of social control, spectatorship and cinematic pleasure as marginal due to its unique status and quality, and many other interpretations of extreme.

The film philosophy which underpins the exploration of these films is primarily Continental philosophy, rather than the more dominant field of cognitive film philosophy, utilizing increasingly attractive philosophers for film theory such as Deleuze, Guattari, Ranciere, Foucault, Irigaray and Kristeva. The series ultimately seeks to establish a refined and sophisticated methodology for re-invigorating issues of alterity both in the films chosen and the means by which Continental philosophers of difference can paradigmatically alter ways of address and representation that lifts this kind of theory beyond analysis and criticism to help rethink the terrain of film theory itself.

Patricia MacCormack is Professor of Continental Philosophy at Anglia Ruskin University, UK. She has published extensively on Guattari, Blanchot, Serres, Irigaray, queer theory, teratology, body modification, posthuman theory, animal rights and horror film. She is the author of Posthuman Ethics (2012), Cinesexuality (2008), and the editor of Deleuze and the Schizoanalysis of Cinema (2008) and The Animal Catalyst (2014).

  • Women, Monstrosity and Horror Film: Gynaehorror book cover

    Women, Monstrosity and Horror Film

    Gynaehorror, 1st Edition

    By Erin Harrington

    Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries – of taste, of bodies, of reason – are blurred and dismantled. It is also a site of expression and exploration…

    Paperback – 2019-01-17
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  • Female Masochism in Film: Sexuality, Ethics and Aesthetics book cover

    Female Masochism in Film

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    Theoretically and representationally, responses to heterosexual female masochism have ranged from neglect in theories that focus predominantly or only upon masochistic sexuality within male subjects, to condemnation from feminists who regard it as an inverted expression of patriarchal control…

    Hardback – 2014-06-02
    Film Philosophy at the Margins