This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies in order to cover a wide range of international academic interest. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts.
1. Introduction: Bringing Together New Perspectives of Film Text Analysis
John A. Bateman and Janina Wildfeuer
2. Towards a Semiotics of Film Lighting
Theo van Leeuwen and Morten Boeriis
3. Editing Space as an Audio-Visual Composition
4. Movie Physics or Dynamic Patterns as the Skeleton of Movies
5. From Visual Narrative Grammar to Filmic Narrative Grammar: The Narrative Structure of Static and Moving Images
6. From Text to Recipient: Pragmatic Insights for Filmic Meaning Construction
7. Intermediality in Film: A Blending-Based Perspective
John A. Bateman
8. Eat, Pray, Love: Expanding Adaptations and Global Tourism
9. Conclusion: Film Text Analysis – A New Beginning?
Janina Wildfeuer and John A. Bateman