Introduction: looking for democracy in music and elsewhere
ROBERT ADLINGTON AND ESTEBAN BUCH
1. ‘Unsociable sociability’: orchestras, conflict and democratic politics in Finland after 1917
TINA K. RAMNARINE
2. Dismantling borders, assembling hierarchies: Percy Grainger and the idea of democracy
RYAN WEBER
3. How democratic is jazz
BENJAMIN GIVAN
4. Curating difference: Elliott Carter and democracy
ROBERT ADLINGTON
5. Getting exercised: ensemble relations in Christian Wolff’s Exercises
EMILY PAYNE AND PHILIP THOMAS
6. Defining audible democracy: new music in post-dictatorship Argentina
VIOLETA NIGRO GIUNTA
7. Network music and digital utopianism: the rise and fall of the Res Rocket Surfer project, 1994–2003
CHRISTOPHER HAWORTH
8. As the band hit full throttle: live event, mediatization and collective identification in popular music concert films
ALESSANDRO BRATUS
9. Reinventing audiences: imagining radical musical democracies
GEORGINA BORN
Biography
Robert Adlington holds the Queen’s Anniversary Prize Chair in Contemporary Music at the University of Huddersfield. He is the author of books on Harrison Birtwistle, Louis Andriessen, and avant-garde music in 1960s Amsterdam, and has edited volumes on avant-garde music and the sixties, music and communism, and (in the present book series) New Music Theatre in Europe (Routledge, 2019).
Esteban Buch is Professor of Music History at the École des Hautes Études en Sciences Sociales (EHESS) in Paris. His latest books include Trauermarsch. L’Orchestre de Paris dans l’Argentine de la dictature (Seuil, 2016) and, as a co-editor, Composing for the State: Music in Twentieth Century Dictatorships (Routledge, 2016).
