1st Edition
Fitzmaurice Voicework Embodying the Holistic Voice
Foreword by Micha Espinosa
Preface
Acknowledgments
A List of Some Abbreviations
Definitions of Basic Fitzmaurice Voicework Terms
Prologue by Catherine Fitzmaurice
Introduction by Michael Morgan
Chapter One: The Nervous System, Stage Fright, and Talent
Chapter Two: Destructuring Positions and Rests Lying on Your Back
Chapter Three: Destructuring Draping Positions and Rests
Chapter Four: Destructuring Positions on Your Feet and Additional Guidance to Tremor Positions and Tremoring
Chapter Five: Sequencing Dynamic Efforts and Cusp Exercises
Chapter Six: A Bit More Anatomy with Touch
Chapter Seven: Structuring and Restructuring Exercises
Chapter Eight: Other Destructuring Modalities: Touch, Energy Systems, Chakras, and Qi
Chapter Nine: Bridging Destructuring to Restructuring in Partnership
Chapter Ten: Destructuring Partnerships: Touch
Chapter Eleven: Restructuring Applications
Chapter Twelve: Restructuring Partnerships
Epilogue by Catherine Fitzmaurice
Biography
Catherine Fitzmaurice (https://www.fitzmauriceinstitute.org/the-founder) teaches voice and text in Los Angeles, New York City, and worldwide. She leads workshops and seminars and presents at theater, medical, consciousness, and voice conferences. She also trains voice teachers for the next generation in the Fitzmaurice Voicework Teacher Certification Program.
Michael Morgan (https://www.michaelmorgan.online) is an actor, voice/text/speech coach, writer, and artist-activist. Originally from New York City, he has performed and taught nationally and internationally. He currently holds a position as a professor of teaching at the University of California, Santa Barbara. Michael founded The Odyssey Project®, a theater arts initiative for incarcerated youth and adults.
