Flamenco, Regionalism and Musical Heritage in Southern Spain (Hardback) book cover

Flamenco, Regionalism and Musical Heritage in Southern Spain

By Matthew Machin-Autenrieth

© 2017 – Routledge

186 pages

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Hardback: 9781472480064
pub: 2016-08-08
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About the Book

Flamenco, Regionalism and Musical Heritage in Southern Spain explores the relationship between regional identity politics and flamenco in Andalusia, the southernmost autonomous community of Spain.

In recent years, the Andalusian Government has embarked on an ambitious project aimed at developing flamenco as a symbol of regional identity. In 2010, flamenco was recognised as an Intangible Cultural Heritage of Humanity by UNESCO, a declaration that has reinvigorated institutional support for the tradition. The book draws upon ethnomusicology, political geography and heritage studies to analyse the regionalisation of flamenco within the frame of Spanish politics, while considering responses among Andalusians to these institutional measures.

Drawing upon ethnographic research conducted online and in Andalusia, the book examines critically the institutional development of flamenco, challenging a fixed reading of the relationship between flamenco and regionalism. The book offers alternative readings of regionalism, exploring the ways in which competing localisms and disputed identities contribute to a fresh understanding of the flamenco tradition. Matthew Machin-Autenrieth makes a significant contribution to flamenco scholarship in particular and to the study of music, regionalism and heritage in general.

Table of Contents

1. Political Geography, Regionalism and Flamenco Heritage

2. Geography and Regionalism in Flamenco

3. Flamenco for Andalusia

4. Flamenco for Humanity

5. Flamenco, ¿Algo Nuestro? (Something of ours?)

6. Flamenco: A Gift for Humanity and a Right for the Andalusian People

7. Localism in the Flamenco Scene of Granada

8. Uncovering Locality in Flamenco Guitar Style

9. Concluding Remarks.


About the Author

Matthew Machin-Autenrieth is a Leverhulme Early Career Fellow at the Faculty of Music, University of Cambridge, UK. He graduated with a Ph.D. in Ethnomusicology from the School of Music, Cardiff University in 2013. His research concerns flamenco, regionalism, politics and multiculturalism in Southern Spain.

About the Series

SOAS Musicology Series

Series editor: Keith Howard, SOAS, University of London, UK

The study of the world’s many and diverse music cultures has become an important part of the discipline of musicology. Often termed ‘ethnomusicology’, the resulting studies share the fundamental recognition that music is cherished by every society in the world. Like language, music is a universal means of individual and cultural expression. It is also infinitely varied. Music in any society has intrinsic value in its own right, and can tell us much about the culture in which it developed. The core of the SOAS Musicology Series comprises studies of different musics, analysed in the contexts of the societies of which they are part, and exploring repertories, performance practice, musical instruments, and the roles and impacts of individual composers and performers. Studies which integrate music with dance, theatre or the visual arts are encouraged, and contextualised studies of music within the Western art canon are not excluded.

Reflecting current ethnomusicological theory and practice, the editors recognize the value of interdisciplinary and collaborative research. Volumes may utilize methodologies developed in anthropology, sociology, linguistics and psychology to explore music; they may seek to create a dialogue between scholars and musicians; or they may primarily be concerned with the evaluation of historical documentation. Monographs that explore contemporary and popular musics, the effect of globalization on musical production, or the comparison of different music cultures are also welcomed.

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Subject Categories

BISAC Subject Codes/Headings:
MUSIC / Genres & Styles / General