1st Edition

Fluid Frames Experimental Animation with Sand, Clay, Paint, and Pixels

By Corrie Parks Copyright 2016
252 Pages
by Routledge

252 Pages
by Routledge

252 Pages
by Routledge

Once the realm of a few stalwart artists, animating with sand, clay, and wet paint is now accessible for all filmmakers with an experimental frame of mind. Created directly under the camera with frame-by-frame stopmotion, this "fluid frame animation" provides a completely unique visual world for animators. While pioneering animators such as Caroline Leaf, Alexander Petrov, and Ishu Patel paved... Read more

Introduction

Section I: Constructing the Context

1. Definition of Terms

2. A Brief Historical Overview - Three waves of experimental collaboration

Section II: Animation In Practice

3. Finding your voice: Concept and Pre-Visualization

4. Setting Up the Studio

5. Animation techniques

Section III: Individual Lessons: (incl. interviews and/or tutorials with practicing artists)

6. Sand Animation

7. Paint-on-Glass Animation

8. Clay-on-Glass Animation

9. Post-Production

Section IV

10. Conclusion

Appendix: List of Works and Artists

Biography

Corrie Francis Parks animates sand, paint and other unusual materials. With one hand under the camera and the other on the computer keyboard, her films maintain an organic connection to natural materials and traditional production methods while fully integrating digital technology. She teaches and researches animation at the University of Maryland, Baltimore County and her work has been recognized with fellowships from the MacDowell Colony, Fulbright Foundation, Montana Film Office, and the Mustard Seed Foundation. Her award-winning animated shorts have screened at major festivals on every continent except Antarctica. She looks forward to the day when she can count penguins among her biggest fans.