1st Edition

Folk Theatres of North India
Contestation, Amalgamation and Transference




ISBN 9780367334741
Published December 4, 2019 by Routledge India
198 Pages 6 B/W Illustrations

USD $155.00

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Book Description

This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs, nautanki, tamasha, all with conventions like open performative space, free mingling of spectators and actors, flexibility in roles and genres, etc. It discusses the genesis, history and the independent trajectory of folk theatres; folk theatre and Sanskrit dramaturgy; cinematic legacy; and theatrical space as performance besides investigating causes, inter-relations within socio-cultural factors, and the performance principles underlying them. It shows how these theatres effectively contest delimitation of human creative impulses (as revealed in classical Sanskrit theatre) from structuring as also of normative impulses of religion and culture, while amalgamating influences from Western theatre, newly-rising religious reform movements of 19th century India, tantra and Bhakti. It further highlights their ability to adapt and reinvent themselves in accordance with spatial and temporal transformations to constitute an important anthropological layer of Indian society.

Comprehensive and empirically rich, this book will be an essential read for scholars and researchers of cultural studies, theatre, film and performance studies, sociology, political studies, popular culture, and South Asian studies.

Table of Contents

List of Figures

Foreword by Jaibir Singh Hooda

Acknowledgements

Note on Transliteration

Introduction — Folk Theatre: Genesis, History and Causes

I. Folk Theatre and Sanskrit Dramaturgy

II. Folk Theatre and Western Theatre

IIII. Folk Theatre: The Cinematic Legacy

IV. Folk Theatrical Space as Performance

Conclusion

Glossary

Works Cited

Index

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Author(s)

Biography

Karan Singh is Associate Professor of English at Government College for Women, Mahendragarh, Haryana, India. He has been Affiliated Fellow at International Institute of Asian Studies, Leiden, Netherlands and Associate at Indian Institute of Advanced Study, Shimla. He has completed two major research projects of University Grants Commission on Dalit Literature and Folk Theatres and has published three books — Iris Murdoch: Melodrama and Metaphysics (2008), Dalitism and Feminism: Locating Women in Dalit Literature (2011), and Unknown Voices (2011). He is also Editor of OASIS, a literary annual journal and President of the Society for Promotion of English Language and Literature.

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Karan Singh

Associate Professor, Government College for Women, Mahendergarh
Mahendergarh, Haryana, India

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