1st Edition

Folk Theatres of North India Contestation, Amalgamation and Transference

By Karan Singh Copyright 2020
212 Pages 6 B/W Illustrations
by Routledge India

212 Pages 6 B/W Illustrations
by Routledge India

212 Pages 6 B/W Illustrations
by Routledge India

This book examines folk theatres of North India as a unique performative structure, a counter stream to the postulations of Sanskrit and Western realistic theatre. In focusing on their historical, social and cultural imprints, it explores how these theatres challenge the linearity of cultural history and subvert cultural hegemony. The book looks at diverse forms of theatre such as svangs ,... Read more

List of Figures

Foreword by Jaibir Singh Hooda

Acknowledgements

Note on Transliteration

Introduction — Folk Theatre: Genesis, History and Causes

I. Folk Theatre and Sanskrit Dramaturgy

II. Folk Theatre and Western Theatre

IIII. Folk Theatre: The Cinematic Legacy

IV. Folk Theatrical Space as Performance

Conclusion

Glossary

Works Cited

Index

Biography

Karan Singh is Associate Professor of English at Government College for Women, Mahendragarh, Haryana, India. He has been Affiliated Fellow at International Institute of Asian Studies, Leiden, Netherlands and Associate at Indian Institute of Advanced Study, Shimla. He has completed two major research projects of University Grants Commission on Dalit Literature and Folk Theatres and has published three books — Iris Murdoch: Melodrama and Metaphysics (2008), Dalitism and Feminism: Locating Women in Dalit Literature (2011), and Unknown Voices (2011). He is also Editor of OASIS, a literary annual journal and President of the Society for Promotion of English Language and Literature.