Folklore, Magic, and Witchcraft Cultural Exchanges from the Twelfth to Eighteenth Century

Introduction

Part 1: Interpreting Folkloric Beliefs

1. The Tree of the Bourlémonts. Gendered Beliefs in Fairies and Their Transmission From Old To Young Women in Joan of Arc’s Domrémy

2. The Rejuvenating Blood: Marsilio Ficino and the Witches

3. The Circulation and Exchange of Ideas, Myths, Legends, and Oral Traditions in the Witchcraft Trials of Italy

4. Between Hell and Paradise: The Legend of the Soul of the Emperor Trajan

Part 2: Cultural Exchange among Christian, Islamic, and Jewish Communities

5. Artificial Creation of Human Life: Ibn Waḥšiyya as a Source of the Futūḥāt al-makkiyya

6. Fragments of a Jewish Magical Tradition in the Library of Giovanni Pico della Mirandola

7. Parallel Beliefs: Cultural Exchange between Jews and Christians on Magic and Witchcraft, and the Concerns of the Inquisition

8. Some Reports of Magic, Superstition, and Witchcraft in the Medieval Mirabilia Literature

9. ‘Diabolical sorceries’. Vicent Ferrer’s preaching and the emergence of the witchcraft construct(s) in early fifteenth-century Europe

10. Circulation of Magic and Folkloric Traditions in the Times of Antonino of Florence and Bernardino of Siena

11. Against the Body of Christ: Exchanges and Cultural Upheavals in Early Modern Italy

12. The Natural and the Supernatural: Collecting, Interests, and Trials of the Nuncio Decio Francesco Vitelli in Venice, 1632–1643

13. The Witch Unravelled: How Pieter Bruegel the Elder Developed a Visual Code to Depict Witchcraft and Sorcery

14. Ignorantia and Superstitio: A Discussion among Theologians and Inquisitors in the Sixteenth Century

15. The MP and the Astrologer: Rival Cultures of Witchcraft in the East Anglian Witch-hunt

16. A Witchcraft Triangle: Transmitting Witchcraft Ideas Across Early Modern Europe

17. The Shape of Evil: Familiars and Shapeshifting Witches in Seventeenth-Century Finnmark

18. Circulating Knowledge in an Enlightened Discourse. Eberhard David Hauber’s Witchcraft Quarterly, 1738–1745

Rita Voltmer

Biography

Marina Montesano is Full Professor of Medieval History at the University of Messina, a fellow of Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, and a member of the scientific committee of the International Society for Cultural History (ISCH). Among her most recent monographs is Classical Culture and Witchcraft in Medieval and Renaissance Italy (2018).

WINNER OF THE KATHERINE BRIGGS AWARD 2022

‘A high-quality edited collection with a global scope and diverse set of contributors. The work transcends national and regional constraints to understand cultural expressions as part of a wider circulation of forms and meanings. Bringing a fresh approach with lively and well-constructed arguments, the book truly showcases the complexity and dynamic creativity of popular culture.’ For more details see here - https://folklore-society.com/blog-post/the-katharine-briggs-award-2022/

‘An engaging collection linking magical events and traditions – from painting to shapeshifting, collecting to witch trials, fairies to astrology – across time and location: surprising and informative.’

Marion Gibson, University of Exeter, UK

‘Held together by the complex concept of cultural exchange, helpfully explored in the introduction, this collection of case-studies illuminates numerous aspects of folklore, magic and witchcraft, both medieval and early modern, from northern Scandinavia to the Islamic world, with a particular focus on Italy, bringing much new European scholarship into reach for an English-speaking audience.’

Jonathan Barry, University of Exeter, UK

‘[...] the anthology looks beyond both the records of witchcraft trials and the notion of the magic-user as, exclusively, a witch, offering a diverse yet complementary set of perspectives on magical traditions as both substance and means of cultural exchange in Europe between the twelfth and eighteenth centuries.’

Anna Milon, Folklore, 2022