1st Edition

Folklore and Nation in Britain and Ireland

Edited By Matthew Cheeseman, Carina Hart Copyright 2022
    326 Pages 20 B/W Illustrations
    by Routledge

    326 Pages 20 B/W Illustrations
    by Routledge

    This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands’ constituent nations from the eighteenth century to our contemporary moment of uncertainty and change.

    This book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland.

    Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies.

    1          Introduction

                Matthew Cheeseman

     

    2          Grimm ripples: the role of the Grimms’ Deutsche Sagen in the collection and creation of national folk narratives in Northern Europe

                Terry Gunnell

     

    3          Forest murmurs: wood and wild in the making of England

                Jeremy Harte

     

    4          ‘The Last Earl of Hallamshire’: legend, landscape and identity in South Yorkshire

                David Clarke

     

    5          Anarchy in the UK: Haddon and the anarchist agenda in the Anglo-Irish folklore movement

    Ciarán Walsh

     

    6          ‘Powerful and sovereign medicines … virulent poisons also’: Arthur Machen, occultism, and the Celtic Revival

    Felix Taylor

     

    7          Visions of English identity: the country dance and Shakespeare-land

                Derek Schofield

     

    8          Embodied Englishness in the inter-war morris revival

    Matt Simons

     

    9          A Scottish Volk? Folklore, anthropology, race and nationalism in inter-war Scotland

    Katie Meheux

     

    10        Photographic surveys of calendar customs: preserving identity in times of change

    Andrew Robinson

     

    11        Folklore as McGuffin: British folklore and Margaret Murray in a 1930 crime novel and beyond

    Paul Cowdell

     

    12        Et in arcadia ego: British folk horror film and television

    Diane A Rodgers

     

    13        Bloody Europe: Brexit and the making of a myth

    Tabitha Peterken

     

    14        Folkloric landscapes and the heroic outlaw in Britain and Ireland

    Carina Hart

     

    15        ‘Our community could start our own traditions’: the commingling of religion, politics, and the folkloresque in a far right groupuscule

    Andrew Fergus Wilson

     

    16        Blood, blots and belonging: English Heathens their (ab)uses of folklore

    Kate Smith

     

    17        The Tale of Hanan the Tailor: storytelling in times of change

    Shonaleigh Cumbers and Simon Heywood

    Biography

    Matthew Cheeseman is Associate Professor of Creative Writing at University of Derby. He is a Council member of The Folklore Society and a trustee of Bloc Projects. He runs a small press, Spirit Duplicator.

    Carina Hart is Assistant Professor in Applied English at the University of Nottingham. She specialises in global Gothic folkloric and fairy tale literature, and has also published on Romantic poetry and on fairy tale and alchemy in contemporary fiction.

    "a welcome addition to the field, particularly for highlighting the creative ways in which folklore has been absorbed into popular culture and imagination." - Sue Allan, Folk music Journal