1st Edition

Forests and Fences

Edited By Myer Taub Copyright 2024
    164 Pages 54 B/W Illustrations
    by Routledge India

    164 Pages 54 B/W Illustrations
    by Routledge India

    This book examines critical themes in environmental studies though theatre and performance studies. It experiments with forms along with the practice of praxis to provide radical frameworks for resilience in the contemporary age of crisis. Drawing on Ravi Sundaram’s concept of ‘Wild Zones’, it explores the kinetic overflows in informal sites, but also in the intimate spaces that have been realigned or shocked or fenced in, especially in the context of the COVID-19 pandemic.

    The volume will be of great interest to scholars and researchers of theatre and performance studies, environment and sustainability, and environmental humanities.

    1. Interview between Ravi Sundaram and Myer Taub                

    Ravi Sunderam and Myer Taub

    2. PaR as foresting loss: experiments from a Southern cultural Laboratory

    Manola-Gayatri Kumarswamy

    3. Writing to Trees with the Trees – experiments in NIROX and Mustarinda

    Annette Arlander

    4. Floating forests and sanitary fences: Underwater dancing as autistic (in)visibility and international disobedience

    Ciane Fernandes

    5. ‘Interstitial’ City Woodlands: encounters with enfolded debris in urban wildscapes

    Jo Scott

    6. The Slow Professor steps down from the fence:  Covidian transmissions from a year in lockdown

    Johnmichael Rossi

    7. Gas Masked Semazen: Whirling in the Middle of a Chaos During The Gezi Protests

    Esra Cizmeci

    8. Pages with Borders. Experiments And Experiences                        

    Orestes Pérez Estanquero

    9. FlorENCE a play by Myer Taub                                                    

    Myer Taub

    10. Teaching performance-based courses under COVID-19: A Wild Zone

    Jessica Philile Mawuiena Foli

    11. Photo Essay

    Biography

    Myer Taub is Senior Lecturer in theatre and performance - where his teaching on philosophies on theatre and performance extends into the radical.