1st Edition

Fragmented Forms in African American Women’s Memoir Poetics, Praxis, and Politics

By Yolanda M. Manora Copyright 2026
128 Pages
by Routledge

128 Pages
by Routledge

Fragmented Forms in African American Women’s Memoir  examines fragment as formal praxis in autobiographical works by Black women makers, critics and creatives, including Claudia Rankine, Saidiya Hartman, and Beyonce Knowles. Exploring a range of forms, from the lyric fragment to the ellipses, from assemblages to palimpsests, this volume illuminates Black women memoirists’ use of unconventional... Read more

Introduction

 

Chapter 1     Claudia Rankine’s Citizen — Lyric Fragment

“Who is this You?”: White|Blank|Empty Space and the Multilectical You

in Claudia Rankine’s Citizen: An American Lyric

 

 

Chapter 2       Saidiya Hartman’s Lose Your Mother — Palimpsest

 

Between Stranger and Kin: Palimpsestic Erasures, Redacted Memoir, and the Unwritten Name of the Mother in Saidiya Hartman’s Lose Your Mother: A Journey along the Atlantic Slave Route

 

 

Chapter 3       Winnifred Brown-Glaude, Cassandra Jackson, Piper Kendrix Williams, and

Juda Bennett, The Toni Morrison Book Club - Interstitial Khoros

 

Toward a Critical Intimacy: Shared Voice, Group Memoir,

and the Interstitial, Polyphonic We in The Toni Morrison Book Club

 

Chapter 4       Beyoncé Knowles, Lemonade – Assemblage

 

“If We are to Heal”: Reading Black Femme Inter/Subjectivities in Beyoncé’s Choreoform Assemblage, Lemonade

 

Coda

Biography

Yolanda M. Manora earned her Ph.D. in English from Emory University and also holds an MFA in Creative Nonfiction from Goucher College. An Associate Professor of English at the University of Alabama, Manora has received grants/funding support for her scholarly and arts-integrative research projects from the Mellon Foundation and the National Endowment for the Arts.