1st Edition
From Object to Performance The Beginnings of Israeli Performance Art
Introduction
1. Documented, Undocumented, Lost: On Writing the History of Past Israeli Performance Art
2. The 1960s: The Emergence of a Performative Mentality and Practice
3. Outdoor Art Activities, 1970-1974: In Search of a “New Earth”
4. Engaging the Body, Contesting Collective Identity: Performance Art after the Yom Kippur War of 1973
5. Site-Specificity and Identity Politics: Pinchas Cohen Gan’s 1970s Critical Art Activities
6. The Emergence of Performance Art at Bezalel: Pedagogy, Actions, and Protest
7. Yona Fischer: Curatorship and the Transition from Object to Performance
8. Epilogue: 76, 79… and Onwards
Biography
Dror Harari is a Senior Lecturer at the Department of Theatre Arts, Tel Aviv University, Israel.
