1st Edition

Funny Peculiar Gershon Legman and the Psychopathology of Humor

By Mikita Brottman Copyright 2004
200 Pages
by Routledge

200 Pages
by Routledge

200 Pages
by Routledge

Why are jokes funny? Why do we laugh? In Funny Peculiar, Mikita Brottman demurs from recent scholarship that takes laughter-- and the broader domain of humor and the comical--as a liberating social force and an endearing aspect of self-expression. For Brottman, there is nothing funny about laughter, which is less connected to mirth and feelings of good will than to a nexus of darker emotions:... Read more
Introduction. Legitimizing Legman. Against Jokes. Against Laughter. Against Clowns. Against Stand-Up. Against Humor Therapy. Afterword: Risus Sardonicus.

Biography

Mikita Brottman, Ph.D., who earned her doctorate at Oxford University, is Professor of Language and Literature at the Maryland Institute College of Art and a candidate at the Washington Square Institute for Psychotherapy and Mental Health (NYC).  She writes regularly for mainstream and alernative publications and is the author of three books on the horror film.

"Funny Peculiar is an intelligent, integrative study of the various forms and functions of humor. Brottman explores her topic through a series of essays on the comic world of laughter, jokes, clowns, comedians, and humor therapists, all of which are examined for their serious, decidedly unfunny psychological underpinnings. Deftly written in beautifully jargon-free prose, often wry and bitingly humorous, Funny Peculiar goes to the heart of comedy, using the underappreciated work of the eccentric, self-taught Freudian scholar Gershon Legman as one of several lenses for examining the psychology of humor. Brottman's critique of humor therapists is especially incisive and--dare I say? - humorous. Her book is a pleasure."

- Susan B. Miller, Ph.D., Author, Disgust (Analytic Press, 2004)

"In these complex and violent times, how anxiously we try to lighten up," clinging to a good laugh as the one simple thing that doesn't mean anything but feeling good. But it is by looking the joker straight in the eye that Brottman is able to uncover a more believably complex sense of our very human relationship with humor. She treads a sometimes hilarious but always serious line between objective and subjective, personal and sociocultural, caustic and considerate. Read on: Brottman is not asking you to check your sense of humor at the door. You will laugh reading this book - even as you gain a healthier suspicion of why you are laughing, indeed, of why you ever laugh."

- A. Loudermilk, Author, The Daughterliest Son