1st Edition
Gender Hierarchy of Masculinity and Femininity during the Chinese Cultural Revolution Revolutionary Opera Films
By Zhuying Li
Copyright 2021
120 Pages
8 B/W Illustrations
by
Routledge
120 Pages
8 B/W Illustrations
by
Routledge
120 Pages
8 B/W Illustrations
by
Routledge
Also available as eBook on:
Focusing on the influence of Maoist ideology and masculinist power on the representations of women in revolutionary opera films made during the Cultural Revolution, this book considers the gendered hierarchy between masculinity and femininity in relation to the historic and cultural context in which they were made.
Using feminist methodology and epistemology to locate women’s social... Read more
Introduction
Chapter One: Women, the Revolutionary Opera Films and the Cultural Revolution
Chapter Two: Smashing of the Four Old Ways: Transformations of Gender Construction from Confucian China to Maoist China
Chapter Three: Masculine Honour, Feminine Shame: The Reconstruction of Gender in the Revolutionary Opera Films
Chapter Four: Patriarchal Power and Ideological Apparatuses: The Image of Female Warriors in the Revolutionary Opera Films
Coda
Biography
Zhuying Li holds a Master’s Degree from Monash University and a Ph.D. in Communication and Media Studies from RMIT University in Australia. Her research areas include gender studies, China studies, and cultural studies.
