1st Edition

Gender, Writing, Spectatorships Evenings at the Theatre, Opera, and Silent Screen in Late Nineteenth-Century Italy and Beyond

By Katharine Mitchell Copyright 2022
240 Pages 9 B/W Illustrations
by Routledge

240 Pages 9 B/W Illustrations
by Routledge

240 Pages 9 B/W Illustrations
by Routledge

This original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed... Read more

Introduction

Chapter One Towards Cross-Disciplinary Female Spectatorships

Chapter Two Spectators, Traviate, and Women’s Access to Culture 

Chapter Three The Private Female Gaze

Chapter Four The Public Female Gaze

Chapter Five The Imaginary Female Gaze

Chapter Six The Female Gaze Beyond Italy

Conclusion

Appendix

Biography

Katharine Mitchell is Senior Lecturer in Italian Culture and Gender at the University of Strathclyde, Glasgow. She is author of Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (Toronto University Press, 2014), and among her co-edited volumes are Women and Gender in Post-Unification Italy: Between Private and Public Spheres (Peter Lang, 2013) and Matilde Serao: International Profile, Reception, and Networks (Classiques Garnier, 2022).