1st Edition

Gendering Walter Scott Sex, Violence and Romantic Period Writing

By C.M. Jackson-Houlston Copyright 2017
282 Pages
by Routledge

282 Pages
by Routledge

282 Pages
by Routledge

Employing gender as a unifying critical focus, Caroline Jackson-Houlston draws on the full range of Walter Scott’s novels to propose new links between Scott and Romantic-era authors such as Sophia Lee, Jane Porter, Jane Austen, Sydney Owenson, Elizabeth Hands, Thomas Love Peacock, and Robert Bage. In Scott, Jackson-Houlston suggests, sex and violence are united in a central feature of the genre... Read more

CONTENTS



Chapter 1 Introduction



Chapter 2 ‘Hardly any women at all’?: Gender and genre



Chapter 3 Witches, bitches, gipsies: women and psychic power



Chapter 4 ‘Fanaticism … in the face of the Father?’: The displacement of the feminine in Rob Roy and romantic treatments of rape



Chapter 5 ‘The full force of sisterly sorrow’: the ethics of justice in The Heart of Mid-Lothian



Chapter 6 ‘A barbarous, unfeminine use of power’: romantic constructions of renaissance Queenship



Chapter 7 Fathers of their countries? Scott, Porter and male rulers



Chapter 8 ‘A dingy or damaged commodity’: circulation, honour and commodification in Scott’s Saint Ronan’s Well



Chapter 9 ‘She herself must venture … beyond the prescribed boundary’: the construction of gender and cultural difference through four Orientalist fictions



Chapter 10 ‘Men of blood’ and ‘the speech of a woman’



Chapter 11 Mountain maidens and cowgirls: exercise, athleticism, and its ideological constraints for several Scott heroines



Chapter 12 Women warriors and other outlaws



Chapter 13 Conclusion



Select bibliography



Index

Biography

Caroline Jackson-Houlston has forty one years' experience teaching Romanticism at Oxford Brookes University, UK and contributed to the Edinburgh Edition of the Waverley Novels for twenty five years as a consultative editor for folksong allusions.

"Gendering Walter Scott: Sex, Violence and Romantic Period Writing conducts a comprehensive review of Walter Scott’s major novels through the lens of gender studies [...] This is an important book. It fills a gap in Scott studies, pro-vides an in-depth exploration of romantic gender ideology, and justifies the current scholarly rediscovery of Scott as a key figure in the field."

- Yanxu Chen, Northeast Normal University, China, Scottish Literary Review