398 Pages
64 B/W Illustrations
by
Routledge
398 Pages
64 B/W Illustrations
by
Routledge
398 Pages
64 B/W Illustrations
by
Routledge
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The Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era.
As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry... Read more
Introduction. 1. Collision of Films in a New Era (1977-1979). 2. Politics and Cultural Rhetoric (1980-1989). 3. Film, Market, and Society (1990-1993). 4. The Appearance of Blockbusters (1994-1999). 5. Globalization and Imagination in Films (2000-2006). 6 The Operation and Influence of Marketization (2007-2009). 7. Image Production and the Film at the Age of Digitalization (2010-2012). 8. From the Era of Globalization to the Internet Age (2013-).
Biography
Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs. Jin Haina is professor of translation, film and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.






