Making use of archival resources in the United Kingdom and the United States, Regina B. Oost examines advertisements, promotional materials, and programs, as well as letters, diaries, and account books, to reconstruct the ways in which Richard D'Oyly Carte, W.S. Gilbert, and Arthur Sullivan attracted and shaped the expectations of theatergoers. Her findings place the Savoy operas in the context of other West End productions, considering similarities between Carte's promotional methods and those of managers Henry Irving, John Hollingshead, and Marie and Squire Bancroft. While all of these managers astutely understood patronage of a middle-class audience to be key to their success, the Savoy collaborators made strategic use of circumstances unique to their situation to distinguish Gilbert and Sullivan operas from contemporary theatrical fare. From Trial by Jury (1875) through The Grand Duke (1896), the Savoy operas celebrated the commodity culture beloved of the urban middle classes, validated a moral code that secured the social privileges audience members cherished, and ultimately provided a new model of British national identity that replaced the agrarian ideal espoused by earlier generations. Written in admirably accessible and jargon-free prose, Oost's book will appeal to scholars of theater history, literature, music, and popular culture, as well as general readers interested in Gilbert and Sullivan and the history of the D'Oyly Carte Opera Company.
Table of Contents
Contents: Introduction: many contributors to a general result; West End theaters and Savoy audiences; The business of Gilbert and Sullivan; Shopping at the opera; Founding the family; 'Encore' means 'sing it again'; Tradition and the Savoyards; Select bibliography; Index.
Regina B. Oost is Chair of the Department of English and Professor of English at Wesleyan College, Georgia, USA.
'...a scholarly, accessible, coherently argued book which will be an important addition to Gilbert and Sullivan literature and to the wider field of nineteenth-century theatre studies.' Richard Foulkes, University of Leicester, UK 'As a sustained exploration of these stage works in the context of nineteenth century consumerism it has no rivals and is to be recommended for the insights it provides into the relationship of art and commerce.' Music and Letters 'Gilbert and Sullivan furnishes tons of useful information and in its final chapters convincingly demonstrates how the tightly constructed oeuvre build a national identity based on modernity's consumer orientatio - doing so by offering lively comforts, entertaining and mutually reinforcing.' Victorian Studies