1st Edition

Global Percussion Innovations The Australian Perspective

By Louise Devenish Copyright 2019
188 Pages
by Routledge

188 Pages 28 B/W Illustrations
by Routledge

188 Pages 28 B/W Illustrations
by Routledge

First emerging in North America and Europe in the late 1920s, contemporary percussion practices have transitioned from the fringes of contemporary music to the forefront over the past 90 years. In the 1960s contemporary percussion practices reached Australian shores and a new generation of artists added their voices to this narrative. The role of Australian activity is not yet embedded in... Read more

1. Contemporary percussion in Australia: the 1960s and 1970s 2. The emergence of Australian contemporary percussion: 1970s Melbourne 3. Contemporary percussion ensembles in Sydney 4. Contemporary percussion in Adelaide 5. Percussion in Western Australia 6. Percussion in Brisbane, Canberra and Hobart 7. The question of identity: looking back, looking out, looking in, looking forward

Biography

Louise Devenish’s artistic practice lies at the nexus of performance, research and education in percussion. Key projects include APRA AMC award-winning solo series Music for One Percussionist, The Sound Collectors duo, Australia’s leading percussion group Speak Percussion (Vic) and acclaimed electroacoustic sextet Decibel (WA), with whom she regularly performs at major festivals throughout Australasia, Europe, North America and the UK. A passionate advocate of new and Australian music, Louise has commissioned over 50 works for percussion, released solo album music for percussion and electronics (Tall Poppies) and published in Contemporary Music Review, Percussive Notes and Musicology Australia. Louise is Head of Percussion at the University of Western Australia Conservatorium of Music and is a Churchill Fellow.