1st Edition
God’s Song and Music’s Meanings Theology, Liturgy, and Musicology in Dialogue
Preface
Vernon White
Part 1: The Meanings of Music in Western History
1 Mellifluous Music in Early Western Christianity
Carol Harrison
2 ‘We Prefer Gods We Can See’: Music’s Mediations Between Seen Things and God in the Patristic and Medieval Periods
Nancy van Deusen
3 Hearing Revelation: Music and Theology in the Reformation
Jonathan Arnold
4 Music, Atheism, and Modernity: Aesthetics, Morality, and the Theological Construction of the Self
Gareth Wilson
Part 2: The Work of Worship and the Meanings of Music
5 The Worship of God and the Quest of the Spirit: ‘Contemporary’ versus ‘Traditional’ Church Music
Gordon Graham
6 Musical Promiscuity: Can the Same Music Serve Sacred and Profane Ends Equally Well?
Lucy Winkett
7 Mixing their Musick: Worship, Music, and Christian Communities
James Hawkey
Part 3: The Meanings of Music and the Mystery of God
8 The Malleable Meanings of Music
John Butt
9 The Material, the Moral and the Mysterious: Three Dimensions of Music
Ben Quash
10 Absolute Music / Absolute Worship
Daniel K.L. Chua
11 Afterword
Jeremy S. Begbie
Biography
James Hawkey is Canon Theologian of Westminster Abbey, and a Fellow of Clare College, Cambridge, UK.
Ben Quash is Professor of Christianity and the Arts and Director of the Centre for Arts and the Sacred at King’s College London, UK.
Vernon White is Visiting Professor in Theology at King’s College London, UK. Until recently he was also Sub-Dean and Canon Theologian at Westminster Abbey.






