Gothic Print Culture, 1789-1900 Volume IV: Drama

Acknowledgements

List of Figures

General Introduction

Volume IV Introduction

1. J. C. Cross, Halloween, in Circusiana, or a Collection of the most favourite Ballets, Spectacles, Melo-dramas, &c. Performed at the Royal Circus, St George’s Fields Vol. I (Printed for the Author by T. Burton; and Published by Lackington, Allen and Co. Temple of the Muses, Finsbury-square, 1809), pp. 185-230.

2. W. Dunlap, Ribbemont, or The Feudal Baron in Five Acts as Performed at the New-York Theatre (New York: Printed and Published by D. Longworth at the Shakespeare Gallery, 1803).

3. M. G. Lewis, One O’Clock, or The Knight and the Wood Demon (London: Published by Lowndes and Hobbes, Marquis Court, Drury Lane and Sherwood, Nealy and Jones, Paternoster Row, 1811).

4. J. D. Turnbull, The Wood Demon, or the Clock Has Struck (Boston: B. True, 1808).

5. C. Z. Barnett, The Phantom Bride; or the Castilian Bandit in Duncombe’s Editions vol. vii (London: Duncombe, 1830).

6. G. Blink, The Vampire Bride, or the Tenant of the Tomb in Duncombe’s Acting Edition of the New British Theatre No. 61 (London: Duncombe, c. 1834).

7. W. Bradwell, Castle of Otranto or, Harlequin and the Giant Helmet (London: Green’s Juvenile Drama, 1841 and 1854).

8. C. M. S. Barnes, Octavia Bragaldi. in Plays, Prose and Poetry (Philadelphia: E.H. Butler & Co., 1848), pp. 9–118.

9. H. W. Grosette, Raymond and Agnes, or the Bleeding Nun of Lindenberg; a melodrama in two acts in Lacy's Acting Edition of plays, dramas, farces, extravaganzas; as performed at various theatres, 1848-1873.  Vol. 43. (London: Thomas Hailes Lacy:, n.d.)

10. M. Lemon, The Haunted Man, in One Act, British Library, Add. Mss 53023K fols 1–42, Lord Chamberlin’s Collection of Plays.

11. R. Reece, The Vampire (London: E. Rascol, 1872).

12. E. Fitzball, The Flying Dutchman, or the Phantom Ship; a Nautical Drama in Three Acts, Cumberland’s Minor Theatre no 14 (London: Cumberland, 1829).

13. W. G. Wills and P. Fitzgerald, Vanderdecken, Trinity College Library Dublin, Manuscripts and Archives, IE TCD MS 3739, fols. 1–69.

14. H. C. Merivale, Ravenswood, a play in 4 acts, British Library, ‘printed for private circulation only’ (place of publication and publisher unknown, n.d.)

Bibliography

Index

Biography

Jennifer Camden is the Beverley J. Pitts Distinguished Professor of the Ron and Laura Strain Honors College and Associate Chair and Professor of English at University of Indianapolis. She is the author of Secondary Heroines in the Nineteenth-Century British and American Novel (Routledge, 2010) and, with Kate Faber Oestreich, Transmedia Storytelling: Pemberley Digital’s Adaptations of Jane Austen and Mary Shelley (Cambridge Scholars, 2018), as well as articles on women writers and gothic fiction.

JoEllen DeLucia is Professor of English at Central Michigan University. She is the author of A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820 (EUP, 2015). She has also published several articles on women writers, Enlightenment moral philosophy, and Gothic fiction, as well as an edited collection with Juliet Shields on the literature and history of migration.