The intersections of law and contemporary culture are vital for comprehending the meaning and significance of law in today’s world. Far from being unsophisticated mass entertainment, comics and graphic fiction both imbue our contemporary culture, and are themselves imbued, with the concerns of law and justice. Accordingly, and spanning a wide variety of approaches and topics from an international array of contributors, Graphic Justice draws comics and graphic fiction into the range of critical resources available to the academic study of law. The first book to do this, Graphic Justice broadens our understanding of law and justice as part of our human world—a world that is inhabited not simply by legal concepts and institutions alone, but also by narratives, stories, fantasies, images, and other cultural articulations of human meaning. Engaging with key legal issues (including copyright, education, legal ethics, biomedical regulation, and legal personhood) and exploring critical issues in criminal justice and perspectives on international rights, law and justice—all through engagement with comics and graphic fiction—the collection showcases the vast breadth of potential that the medium holds. Graphic Justice will be of interest to academics and postgraduate students in: cultural legal studies; law and the image; law, narrative and literature; law and popular culture; cultural criminology; as well as cultural and comics studies more generally.
Table of Contents
Introduction, 1 Lex Comica: On Comics and Legal Theory, Part 1: Introducing Comics and Law, 2 Holy Blurring of Core Copyright Principles, Batmobile!, 3 Devil’s Advocate: Representation in Heroic Fiction, Daredevil and the Law, 4 I am the Law Teacher!: An Experiential Approach using Judge Dredd to Teach Constitutional Law, 5 Not Foresighting and Not Answering: Using Graphic Fiction to Interrogate Social and Regulatory Issues in Biomedicine, 6 Law and the Machine: Fluid and Mechanical Selfhood in The Ghost in the Shell, Part 2: Graphic Criminology, 7 When (Super)heroes Kill: Vigilantism and Deathworthiness in Justice League, Red Team, and the Christopher Dorner Killing Spree, 8 Extreme Restorative Justice: The Politics of Vigilantism in Vertigo’s 100 Bullets, 9 Violent Lives, Ending Violently?: Justice, Violence and Ideology in Watchmen, 10 Stepping off the Page: ‘British Batman’ as Legal Superhero, Part 3: Graphic Justice International, 11 The Hero We Need, Not the One We Deserve: Vigilantism and the State of Exception in Batman Incorporated, 12 Judge, Jury and Executioner: Judge Dredd, Drones, Jaques Derrida, 13 Crimes against (Super)Humanity: Graphic Forms of Justice and Governance, 14 Graphic Reporting: Human Rights Violations through the Lens of Graphic Novels
Thomas Giddens is Lecturer in Law and Co-Director of the Centre for Law and Culture at St Mary’s University. He researches in cultural legal studies, focusing on the use of comics and graphic fiction in legal studies, as well as criminal justice and legal philosophy.
"In the words of the editorial team, the book brings comics and graphic fiction ‘into the range of critical resources available to the academic study of law’ and is apparently the first book to do so. Almost undoubtedly, it is the first book to present such an amazingly wide spectrum of legal issues that emerge from -- or are influenced by -- graphic fiction. These include not just copyright, but legal ethics, education and social and regulatory issues -- for example, in biomedicine -- as well as such areas as human rights abuses and much more." - Phillip Taylor MBE and Elizabeth Taylor of Richmond Green Chambers