1st Edition
Greek and Roman Painting and the Digital Humanities
1 Introduction: The Digital Milliet, Between Ancient Painting and Digital Technologies
Marie-Claire Beaulieu and Valerie Toillon
Part 1 From the Recueil Milliet to the Digital Milliet
2 Adolphe Reinach and the Modernity of the Recueil Milliet
Agnes Rouveret
3 Commenting the Digital Milliet: From the Print to the Digital Version
Valerie Toillon
4 The Digital Milliet: Development and Roadmap
Zachary Fletcher
5 Dire le Décor Antique (DDA): When Greek and Latin Texts meet Realia
Delphine Lauritzen
Part 2 Applying Digital Tools to the Analysis of Ancient Art
6 Enhancing Digital Publications with Alpheios
Bridget Almas
7 Texts on Artifacts: How to Improve Epigraphic Publication in a Digital Ecosystem
Michele Brunet
8 Danaids at Rest: Images in Context, Images in Networks: New Keys for the Study of Italiote Funerary Eschatology: Methods, Tools and Initial Results
Fabien Bievre-Perrin
Part 3 Ancient Wall Painting
9 How Were Roman Wall Paintings Made? Material and Textual Evidence
Francesca Bologna
10 Surface and Suggestion: The Materiality of Curtains in Roman Wall Painting
Shana O’Connell
11 Adsere Caelo: Gladiators, Pictorial Space and Visual Culture in Pompei
Jorge Tomás García
12 Conclusion
Marie-Claire Beaulieu and Valerie Toillon
Biography
Marie-Claire Beaulieu is Associate Professor of Classical Studies at Tufts University. Her research focuses on Greek mythology and religion with a special interest in animals in antiquity. She combines this work with the development of digital pedagogical initiatives and digital editions on related topics.
Valérie Toillon has a PhD in history of art. The Digital Milliet was her postdoctoral research project (2015–2017). She is now an independent researcher and is pursuing a postgraduate diploma (DESS) in Arts and Culture Management.






