Grief and its Transcendence: Memory, Identity, Creativity is a landmark contribution that provides fresh insights into the experience and process of mourning. It includes fourteen original essays by pre-eminent psychoanalysts, historians, classicists, theologians, architects, art-historians and artists, that take on the subject of normal, rather than pathological mourning. In particular, it considers the diversity of the mourning process; the bereavement of ordinary vs. extraordinary loss; the contribution of mourning to personal and creative growth; and individual, social, and cultural means of transcending grief.
The book is divided into three parts, each including two to four essays followed by one or two critical discussions. Co-editor Adele Tutter’s Prologue outlines the salient themes and tensions that emerge from the volume. Part I juxtaposes the consideration of grief in antiquity with an examination of the contemporary use of memorials to facilitate communal remembrance. Part II offers intimate first-person accounts of mourning from four renowned psychoanalysts that challenge long-held psychoanalytic formulations of mourning. Part III contains deeply personal essays that explore the use of sculpture, photography, and music to withstand, mourn, and transcend loss on individual, cultural and political levels. Drawing on the humanistic wisdom that underlies psychoanalytic thought, co-editor Léon Wurmser’s Epilogue closes the volume.
Grief and its Transcendence will be a must for psychoanalysts, psychotherapists, psychiatrists, and scholars within other disciplines who are interested in the topics of grief, bereavement and creativity.
In a book at once intellectually rigorous and emotionally astute, the authors investigate the forms of melancholia that constitute mourning. Eloquent and varied, these essays give words to wordless experiences; they reify loss and respond to it, often with quiet poetry. — Andrew Solomon (The Noonday Demon and Far From the Tree)
To the study of heartache and the struggle for its transformation, to "the substance under the shadow," Adele Tutter, Léon Wurmser, and their coauthors of this remarkably powerful volume bring the freshness of personal immediacy. Rather than third party reports, they tell their own stories: the anguish of loss, the pain of trauma, the struggle to transcend being bereft through movements of memory, fresh growth of identity, and the creation of art. Here, it all is present, specific and alive, not abstract and detached. Authors already known for their scholarship now bring to their statements that special tenderness that comes from naked vulnerability. The result is a work of rare significance, one that is beautifully written and as engagingly compelling to read as a fine novel, yet one that advances appreciably our understanding. These voices describe humanity, not mere pathology. These voices will echo within, and they will last. — Warren Poland (Melting the Darkness: The Dyad and Principles of Clinical Practice)
Illustrations and credits
Prologue Give sorrow words
Part I Family, Community, Society
1 Cicero on grief and friendship
2 Rituals of memory
3 The Staten Island September 11 Memorial:
Creativity, mourning, and the experience of loss
Jeffrey Karl Ochsner
4 Designing the Staten Island September 11 Memorial
5 Response to Part I: The Relics of Absence
6 Discussion of Part I: Arcs of Recovery
Part II Theory, Specificity, Authenticity
7 Further reflections on object loss and mourning
Marion M. Oliner
8 Memorial spaces:
Further comments on mourning following multiple traumatic losses
9 The long-term effects of the mourning process
Otto F. Kernberg
10 Mourning, double reality and the culture of remembering and forgiving:
A very personal report
11 Discussion of Part II: Nothing Gold Can Stay?
Part III History, Ancestry, Memory
12 Lost wax to lost fathers:
Installations by British sculptor Jane McAdam Freud
Jane McAdam Freud in conversation with Adele Tutter
13 Sudek, Janáček, Hukvaldy, and Me:
Notes on art, loss, and nationalism under political oppression
14 Discussion of Part III: Image, Loss, Delay
Epilogue "’Tis nameless woe"
Like its counterpart, Psychoanalytic Inquiry: A Topical Journal for Mental Health Professionals, the Psychoanalytic Inquiry Book Series presents a diversity of subjects within a diversity of approaches to those subjects. Under the editorship of Joseph Lichtenberg, in collaboration with Melvin Bornstein and the editorial board of Psychoanalytic Inquiry, the volumes in this series strike a balance between research, theory, and clinical application. We are honored to have published the works of various innovators in psychoanalysis, such as Lachmann, Fosshage, Stolorow, Orange, Sander, Wurmser, Grotstein, Jones, Brothers, Busch, and Lichtenberg, among others.
The series includes books and monographs on mainline psychoanalytic topics, such as sexuality, narcissism, trauma, homosexuality, jealousy, envy, and varied aspects of analytic process and technique. In our efforts to broaden the field of analytic interest, the series has incorporated and embraced innovative discoveries in infant research, self psychology, intersubjectivity, motivational systems, affects as process, responses to cancer, borderline states, contextualism, postmodernism, attachment research and theory, medication, and mentalization. As further investigations in psychoanalysis come to fruition, we seek to present them in readable, easily comprehensible writing.
After 25 years, the core vision of this series remains the investigation, analysis and discussion of developments on the cutting edge of the psychoanalytic field, inspired by a boundless spirit of inquiry.